◾️ 琼·狄迪恩:中心难再维系 Joan Didion: The Center Will Not Hold (2017)
琼·狄迪恩是我的icon,方方面面来说。早期做《时尚》的编辑,后期以时尚杂志编辑的身份进入严肃文学领域写作,首部作品《散漫地步向伯利恒》,探讨二十世纪中期盛行的dupin文化,1977前后的作品关注点则大部分以美国社会生活为主。
她几乎是时尚自媒体最爱写的作家之一了吧,近几年盛行的effortless穿衣风格,琼狄迪恩在20世纪50年代时期就已经作为自己标志性穿着为人称赞。
Netflix为她制作的这部纪录片,以对谈和回忆的方式,让你走进她,走进她知识分子的、世界的、探讨严肃社会议题的一面。纪录片里呈现的是已经80岁的狄迪恩,瘦削但风度很好,说话气定神闲,很着迷于她年轻时的眼睛。
琼·狄迪恩是我的icon,方方面面来说。早期做《时尚》的编辑,后期以时尚杂志编辑的身份进入严肃文学领域写作,首部作品《散漫地步向伯利恒》,探讨二十世纪中期盛行的dupin文化,1977前后的作品关注点则大部分以美国社会生活为主。
她几乎是时尚自媒体最爱写的作家之一了吧,近几年盛行的effortless穿衣风格,琼狄迪恩在20世纪50年代时期就已经作为自己标志性穿着为人称赞。
Netflix为她制作的这部纪录片,以对谈和回忆的方式,让你走进她,走进她知识分子的、世界的、探讨严肃社会议题的一面。纪录片里呈现的是已经80岁的狄迪恩,瘦削但风度很好,说话气定神闲,很着迷于她年轻时的眼睛。
海上钢琴师|The Legend of 1900
◾️ It was not what I saw that stopped me. It was that I didn’t see. In all that sprawling city, there was everything except an end.
◾️ We laughed and kept saying “see u soon”, but inside we both knew we’d never see each other again.
宁愿一生孤独,我也不愿随波逐流
◾️ It was not what I saw that stopped me. It was that I didn’t see. In all that sprawling city, there was everything except an end.
◾️ We laughed and kept saying “see u soon”, but inside we both knew we’d never see each other again.
宁愿一生孤独,我也不愿随波逐流
海上钢琴师|The Legend Of 1900
一个没有身份的过客,一个内心纯粹的音乐家,一个孤独的人…每个人的心里都有自己的一艘船,一个近乎偏执的归宿. 因为它的存在,我可以感到实实在在的安全,不至于无枝可依
◾️ It was not what I saw that stopped me. It was that I didn’t see. In all that sprawling city, there was everything except an end.
◾️ We laughed and kept saying “see u soon”, but inside we both knew we’d never see each other again.
宁愿一生孤独,我也不会不愿随波逐流
fcuk the regulation
一个没有身份的过客,一个内心纯粹的音乐家,一个孤独的人…每个人的心里都有自己的一艘船,一个近乎偏执的归宿. 因为它的存在,我可以感到实实在在的安全,不至于无枝可依
◾️ It was not what I saw that stopped me. It was that I didn’t see. In all that sprawling city, there was everything except an end.
◾️ We laughed and kept saying “see u soon”, but inside we both knew we’d never see each other again.
宁愿一生孤独,我也不会不愿随波逐流
fcuk the regulation
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