#dg设计师再次回应# 杠上DG设计师的是一个越南漂亮小姐姐——辱华事件的“引爆点”，来自Instagram上一名名叫Michaela Tranova的网友和杜嘉班纳设计师Stefano Gabbana的对话。该网友在ins story提到杜嘉班纳涉嫌歧视，与设计师本人争辩，后者最终恼羞成怒大骂出口。
在Instagram账号上曝光自己和Stefano Gabbana社交媒体对话时，Michaela表示，“尽管我自己不是中国人”，但大家都需要“看看Stefano Gabbana怎么从种族上攻击我和中国。”Michaela在Instagram账号上表示，自己“是一个很低调的人，这件事之前我的账户也一直都是很个人的。但我必须把这件事公之于众。”
记者目前可以看到的Michaela的Instagram社交媒体账号并不活跃，账号内容现在最早可以追溯到2014年，但照片数量并不多，主要是一些工作和个人生活照，合计才120多条。在这些为数不多的照片中，记者看到Michaela从事一些跟中国相关的工作，还有她去中餐馆吃饭的照片。其中一张去伦敦唐人街的照片中，Michaela在该账号上还用越南语发文称“新年快乐”，并明确知道那一年是农历猴年。
在Instagram账号上曝光自己和Stefano Gabbana社交媒体对话时，Michaela表示，“尽管我自己不是中国人”，但大家都需要“看看Stefano Gabbana怎么从种族上攻击我和中国。”Michaela在Instagram账号上表示，自己“是一个很低调的人，这件事之前我的账户也一直都是很个人的。但我必须把这件事公之于众。”
记者目前可以看到的Michaela的Instagram社交媒体账号并不活跃，账号内容现在最早可以追溯到2014年，但照片数量并不多，主要是一些工作和个人生活照，合计才120多条。在这些为数不多的照片中，记者看到Michaela从事一些跟中国相关的工作，还有她去中餐馆吃饭的照片。其中一张去伦敦唐人街的照片中，Michaela在该账号上还用越南语发文称“新年快乐”，并明确知道那一年是农历猴年。
DG作为傲慢而从来不曾有敬意的品牌作死是必然的，只是这次作大了
关于这次D&G事件，我们也关注了全程，对于引发风波的那个视频也看了。说实话，关于视频却是感觉不太舒服。然而关于视屏也不过给人感觉杜嘉班纳的刻板可不走心，当时并未想的太深。
然而，就这个问题杜嘉班纳设计师Stefano Gabbana 之后的言论，以及对事件发酵之后给出的敷衍解释都让人难以平静对待。所以关于品牌大秀的取消和全民抵制，只能说， no zuo no die！
关于这次D&G事件，我们也关注了全程，对于引发风波的那个视频也看了。说实话，关于视频却是感觉不太舒服。然而关于视屏也不过给人感觉杜嘉班纳的刻板可不走心，当时并未想的太深。
然而，就这个问题杜嘉班纳设计师Stefano Gabbana 之后的言论，以及对事件发酵之后给出的敷衍解释都让人难以平静对待。所以关于品牌大秀的取消和全民抵制，只能说， no zuo no die！
competition promoter:
Atelier Albania and the Albanian Government
with:
KWY, Jan Bünnig, Studio PS96, Elian Stefa
status:
International Urban Design Competition – Open Call
place:
Berat, Albania
period:
2015
result:
Third Prize
description:
Our aim is to instigate a zone of negotiation; the Osumi Island must become the fulcrum where nature and urbanity unite. What happens on the island has to primarily generate confluence – one that becomes cultural and enduring. Rather than a strict re-naturalisation plan, or it’s opposite, a conquer of space for the city, we propose a hinge: a multilayered process where people and nature can not only coexist but cooperate. We plan a device which can resolve many of the existing challenges while offering various possibilities of experience. Various new perspectives are composed – of the Osumi natural ecosystems, of the city, castle and its surroundings, mirroring those which the city is so plentiful of in a series of new Osumi Panoramas. From the river embankment three walkways project over a canal-pool and give access to a path on the top of a stepped earth bank, before continuing towards the island and our three proposed structures. Each suggest a distinct way of experiencing nature and offer a separate degree of protection to a recovered environment. Every typology enacts the idea of the panorama in various ways, providing each a particular form of perception: the Greenhouse contains, the Colonnade protects and the Market discloses. This narrative of panning, scanning and focusing on particular ecologies is complemented with spaces for programme and public activities. The Greenhouse, the Colonnade and the Market are to become landmarks of cultural and social significance. Osumi Panoramas aims to create cultural significance with moderate means: setting a simple infrastructure where both natural and urban environments may coincide in a graceful yet convincing manner.
Atelier Albania and the Albanian Government
with:
KWY, Jan Bünnig, Studio PS96, Elian Stefa
status:
International Urban Design Competition – Open Call
place:
Berat, Albania
period:
2015
result:
Third Prize
description:
Our aim is to instigate a zone of negotiation; the Osumi Island must become the fulcrum where nature and urbanity unite. What happens on the island has to primarily generate confluence – one that becomes cultural and enduring. Rather than a strict re-naturalisation plan, or it’s opposite, a conquer of space for the city, we propose a hinge: a multilayered process where people and nature can not only coexist but cooperate. We plan a device which can resolve many of the existing challenges while offering various possibilities of experience. Various new perspectives are composed – of the Osumi natural ecosystems, of the city, castle and its surroundings, mirroring those which the city is so plentiful of in a series of new Osumi Panoramas. From the river embankment three walkways project over a canal-pool and give access to a path on the top of a stepped earth bank, before continuing towards the island and our three proposed structures. Each suggest a distinct way of experiencing nature and offer a separate degree of protection to a recovered environment. Every typology enacts the idea of the panorama in various ways, providing each a particular form of perception: the Greenhouse contains, the Colonnade protects and the Market discloses. This narrative of panning, scanning and focusing on particular ecologies is complemented with spaces for programme and public activities. The Greenhouse, the Colonnade and the Market are to become landmarks of cultural and social significance. Osumi Panoramas aims to create cultural significance with moderate means: setting a simple infrastructure where both natural and urban environments may coincide in a graceful yet convincing manner.
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