I don’t regret meeting you but I feel so sorry. After loving for so long, I didn’t even have a decent account at the end. I suddenly felt so distressed.
When I wake up, I definitely miss you, and I will always try to accompany you. As long as you call, I will try my best to appear in front of you, with my kung fu to solve the unknown problem.
Dream it possible with you and just do it.
When I wake up, I definitely miss you, and I will always try to accompany you. As long as you call, I will try my best to appear in front of you, with my kung fu to solve the unknown problem.
Dream it possible with you and just do it.
#张真源你好星期六##青年演员张真源#
"There is no shortcut to success. Find the right goal and learn to persist. This is winning peace."
"I think the end is the new beginning. When it is over, it keeps growing. When it comes to the new beginning, we become different people."
“想要成功没有近道可福,找准目标,学会坚持,这就是胜和”
“我觉得结束就是新的开始,结束的时候就一直成长,到了新的开始我们就变成了不一样的我”
"There is no shortcut to success. Find the right goal and learn to persist. This is winning peace."
"I think the end is the new beginning. When it is over, it keeps growing. When it comes to the new beginning, we become different people."
“想要成功没有近道可福,找准目标,学会坚持,这就是胜和”
“我觉得结束就是新的开始,结束的时候就一直成长,到了新的开始我们就变成了不一样的我”
The Elephant Man (1980), directed by David Lynch
“I go in that morning and this woman comes up to me and says, “Anthony Hopkins wants to see you.” So I go into his room at the end of this long hallway and I’m pale, hadn’t had any sleep, and he tears into me and says, among many other things, that I have no right to direct this picture. I said, “Tony, I’m sorry you feel this way, but I’m the director of this picture and I’m going to keep on directing it,” and I left. In a weird way Tony Hopkins was right — I had no right to direct The Elephant Man. I came from Missoula, Montana, and this is a Victorian drama with these giant stars, and all I’d done is this small film that ten people went to see — it was crazy. But there I was. That film was a baptism of fire.” — David Lynch
“I go in that morning and this woman comes up to me and says, “Anthony Hopkins wants to see you.” So I go into his room at the end of this long hallway and I’m pale, hadn’t had any sleep, and he tears into me and says, among many other things, that I have no right to direct this picture. I said, “Tony, I’m sorry you feel this way, but I’m the director of this picture and I’m going to keep on directing it,” and I left. In a weird way Tony Hopkins was right — I had no right to direct The Elephant Man. I came from Missoula, Montana, and this is a Victorian drama with these giant stars, and all I’d done is this small film that ten people went to see — it was crazy. But there I was. That film was a baptism of fire.” — David Lynch
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