[太开心][憧憬]10月7日索尼将发行一张男高音男中音二重唱的CD。 男高音是考夫曼Jonas kaufmann，男中音是泰兹 Ludovic Tézier，指挥是帕帕诺 Antonio Pappano。[憧憬][太开心]
曲目:
1 PUCCINI: La Bohème, Act IV: "In un Coupé?...O Mimi, tu più non torni"
2 PONCHIELLI: La Gioconda, Op. 9, Enzo Grimaldo
3 VERDI: Les Vêpres Siciliennes, Act I: "Quel est ton nom?"
4 VERDI: Les Vêpres Siciliennes, Act III: "Je n'en puis revenir"
5 VERDI: Don Carlos, Act II: "Le voilà! C'est l'infant!"
6 VERDI: La forza del destino, Act III: "Solenne in quest'ora"
7 VERDI: La forza del destino, Act III: "Nè gustare m'è dato un'ora di quiete"
8 VERDI: La forza del destino, Act IV: "Invano Alvaro"
9 VERDI: Otello, Act II: "Tu?! Indietro! Fuggi!" - "Era la notte" - "Sì, pel ciel marmoreo giuro"
曲目:
1 PUCCINI: La Bohème, Act IV: "In un Coupé?...O Mimi, tu più non torni"
2 PONCHIELLI: La Gioconda, Op. 9, Enzo Grimaldo
3 VERDI: Les Vêpres Siciliennes, Act I: "Quel est ton nom?"
4 VERDI: Les Vêpres Siciliennes, Act III: "Je n'en puis revenir"
5 VERDI: Don Carlos, Act II: "Le voilà! C'est l'infant!"
6 VERDI: La forza del destino, Act III: "Solenne in quest'ora"
7 VERDI: La forza del destino, Act III: "Nè gustare m'è dato un'ora di quiete"
8 VERDI: La forza del destino, Act IV: "Invano Alvaro"
9 VERDI: Otello, Act II: "Tu?! Indietro! Fuggi!" - "Era la notte" - "Sì, pel ciel marmoreo giuro"
#中国:镜花水月China:Through the Looking Glass#
For centuries China has fueled the creative imagination and inspired fashion. This stunning publication explores the influence of Chinese art, film, and aesthetics on international fashion designers（该出版物探讨了中国艺术、电影和美学对国际时装设计师的影响）, including Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Alexander McQueen, and Yves Saint Laurent.
书中展示了一条我很熟悉的Evening dress。但如果用“龙纹中国旗袍”来描述它肯定不准确，本书讨论的是中国美学对服装的影响，所以需要注意就是“什么影响了什么”“如何影响”“结果是什么，给设计师带来什么启示”。
文中说法如下：
An evocative and glamorous example of the work of Paramount Studios costume designer Travis Banton, who, during the 1930s, also dressed Marlene Dietrich, Carole Lombard, and Mae West, this dress was worn by Chinese-American actress Anna May Wong. While the dress may evoke the "cheongsam", a from-fitting traditional Chinese dress style, its construction is along the lines of high-necked form-fitting Western gowns from the Belle-Epoque period（它的结构沿袭了Belle-Epoque 时代西方高领修身礼服）, but the dragon motif adds a distinct Asian influence, dazzling in its execution in gold and silver sequins on luxurious satin. It was designed by Banton for Wong's role of Tu Tuan in the 1934 film "Limehouse Blues." Wong（黄柳霜）was a pioneer for Asian-American actors and one of the few actors in general to transition from silent to talking films（黄是亚裔美国人演员的先驱，也是少数几个从默片过渡到有声电影的演员之一）。
For centuries China has fueled the creative imagination and inspired fashion. This stunning publication explores the influence of Chinese art, film, and aesthetics on international fashion designers（该出版物探讨了中国艺术、电影和美学对国际时装设计师的影响）, including Christian Dior, Jean Paul Gaultier, Karl Lagerfeld, Alexander McQueen, and Yves Saint Laurent.
书中展示了一条我很熟悉的Evening dress。但如果用“龙纹中国旗袍”来描述它肯定不准确，本书讨论的是中国美学对服装的影响，所以需要注意就是“什么影响了什么”“如何影响”“结果是什么，给设计师带来什么启示”。
文中说法如下：
An evocative and glamorous example of the work of Paramount Studios costume designer Travis Banton, who, during the 1930s, also dressed Marlene Dietrich, Carole Lombard, and Mae West, this dress was worn by Chinese-American actress Anna May Wong. While the dress may evoke the "cheongsam", a from-fitting traditional Chinese dress style, its construction is along the lines of high-necked form-fitting Western gowns from the Belle-Epoque period（它的结构沿袭了Belle-Epoque 时代西方高领修身礼服）, but the dragon motif adds a distinct Asian influence, dazzling in its execution in gold and silver sequins on luxurious satin. It was designed by Banton for Wong's role of Tu Tuan in the 1934 film "Limehouse Blues." Wong（黄柳霜）was a pioneer for Asian-American actors and one of the few actors in general to transition from silent to talking films（黄是亚裔美国人演员的先驱，也是少数几个从默片过渡到有声电影的演员之一）。
另外还有件好玩的事，昨天tom把在tinders上约到的女孩们加到他的MC服务器里（？？），在MC里相亲（？？）然后tu来了，也和tom一起胡闹。tom说ran在阻止我胡闹的路上，几分钟后ran的声音从tom的VC里传出来“Let'm in，It have to stop”，tu就立马退了不知道toran聊了什么。接着半小时后ran开始直播时已经回到自己家吃起了饼干差点忘了要直播
所以花童组你们俩的家近到步行十几分钟就能到吗？？那居然三个月了都没玩上乐高这又是在拉扯些什么hhhh
所以花童组你们俩的家近到步行十几分钟就能到吗？？那居然三个月了都没玩上乐高这又是在拉扯些什么hhhh
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