2022祝好!
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在这条微博下许下你的新年愿望吧!心想事成❤️
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Ernst Ludwig Kirchner,“Six Dancers”,1911
Franz von Stuck,“The Dance” ,1910
Pedro Figari,“Dancing People:(Candombe)(Personas bailando:【Candombe】)”,1920
Félix Vallotton,“The Waltz”,1893
Pablo Picasso,“Two Dancers”,1919
August Macke,“Ballet Russes I”,1912
Henri Rousseau,“A Centennial of Independence”,1892
Archibald J. Motley,“Hot Rhythm”,1961
Vincent Van Gogh ,“La Salle de danse à Arles”,1888
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#RED·MOON##v派狂欢##2022心愿#
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在这条微博下许下你的新年愿望吧!心想事成❤️
·
Ernst Ludwig Kirchner,“Six Dancers”,1911
Franz von Stuck,“The Dance” ,1910
Pedro Figari,“Dancing People:(Candombe)(Personas bailando:【Candombe】)”,1920
Félix Vallotton,“The Waltz”,1893
Pablo Picasso,“Two Dancers”,1919
August Macke,“Ballet Russes I”,1912
Henri Rousseau,“A Centennial of Independence”,1892
Archibald J. Motley,“Hot Rhythm”,1961
Vincent Van Gogh ,“La Salle de danse à Arles”,1888
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#RED·MOON##v派狂欢##2022心愿#
《第三次浪潮》有根鲜明主线:碎片信息爆棚 -> 多样化 与 去中心化 -> 人类依仗科技 进化能力 创新体系。
“…people and organizations continually crave more information…higher and higher flows of data…the amount of information for the social system to cohere, and the speeds at which it must be exchanged…”
“This places enormous burden on us. But it also leads toward greater individuality, a de-massification of personality as well as culture.”
“Computers…antidote to blip culture...not only helps us organize or systhesize ‘blips’ into coherent models of reality…to ‘think the unthinkable’ and the previously unthought.”
- by Alvin Toffler, published in 1980
生活在急剧变革时代,与有荣焉。
“…people and organizations continually crave more information…higher and higher flows of data…the amount of information for the social system to cohere, and the speeds at which it must be exchanged…”
“This places enormous burden on us. But it also leads toward greater individuality, a de-massification of personality as well as culture.”
“Computers…antidote to blip culture...not only helps us organize or systhesize ‘blips’ into coherent models of reality…to ‘think the unthinkable’ and the previously unthought.”
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生活在急剧变革时代,与有荣焉。
维纳斯”是她在罗马神话中的称呼,古希腊神话里她是阿佛洛狄忒,是爱与美的女神,也象征着丰饶多产。由于种种原因,这尊雕像并不完整,但她所带来的美感却没有因为这种残缺而有丝毫的消减,反而让我们可以更加全神贯注地欣赏她匀称均衡的身体曲线。
《米洛斯的维纳斯》(Venus de Milo)
亚历山德罗斯(Alexandros of Antioch)
约公元前2世纪末
《米洛斯的维纳斯》(Venus de Milo)
亚历山德罗斯(Alexandros of Antioch)
约公元前2世纪末
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