#new arrival#

来自著名设计师野口勇的Akari 纸灯。

野口勇是日裔美国艺术家和景观设计师，他以雕塑和公共作品而闻名。野口勇一生都致力于突破传统雕塑的定义。在他眼里，就连不具实体、毫无轻重的灯光，也能作为唤起人们情感经验的雕塑材料。

1951年，年近五十的野口勇着手创作一件灯光雕塑，并成功地将他对于灯光的一切理念融入其中：这只雅致的和风宣纸灯一举颠覆了千百年来人们有关“灯”的印象。野口勇为它取名 Akari，意为“光亮”。

通过采用手工和纸（washi paper）包裹竹制灯骨的工艺，保证了 Akari 的质地轻透纤柔。制作灯罩的桑皮纸不仅藏起了灯泡，还柔化了它刺眼的光芒。野口勇随后把 Akari 投入商业生产线，开发了数十种不同形状和大小的模型。

野口勇不仅通过设计纸灯渲染了环境，更改变了空间的意义和人们对空间的感知——他是位名副其实的空间雕塑家。

皆为孤品，xh。

#美学与艺术[超话]#


纸的森林
Takashi Kuribayashi

The white trees that appear to float in the gallery space have been molded by japanese artist Takashi Kuribayashi, from japanese larch trees in Yamagata, using Awa washi (handmade paper).

‘Wald aus wald’ paper forest have already been exhibited at Mori Art Museum di Tokyo, at Beyond Museum di Seoul, and at Hong kong Art Center, and here the artist reconfigures his ‘forest from forest’ to suit the exhibition space at the Sapporo Art Museum. The installation enables the audience to see the paper forest also from an unexpected perspective — from underneath.

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cr Whale_Art

纸的森林
Takashi Kuribayashi

The white trees that appear to float in the gallery space have been molded by japanese artist Takashi Kuribayashi, from japanese larch trees in Yamagata, using Awa washi (handmade paper).

‘Wald aus wald’ paper forest have already been exhibited at Mori Art Museum di Tokyo, at Beyond Museum di Seoul, and at Hong kong Art Center, and here the artist reconfigures his ‘forest from forest’ to suit the exhibition space at the Sapporo Art Museum. The installation enables the audience to see the paper forest also from an unexpected perspective — from underneath.

·