高良健吾决定参加WOWOW ACTOR‘S SHORT FILM!https://t.cn/A6Gnv03T
2023年预计播出·配信
导演:高良健吾、玉木宏、土屋太凤、中川大志、野村万斋(※五十音顺)
■官方Twitter@asf_wowow
https://t.cn/A6SWeUj3
■官方Instagram asf_wowow
https://t.cn/A6SWeUj1
#ACTOR‘S SHORT FILM##高良健吾[超话]##ten carat#
2023年预计播出·配信
导演:高良健吾、玉木宏、土屋太凤、中川大志、野村万斋(※五十音顺)
■官方Twitter@asf_wowow
https://t.cn/A6SWeUj3
■官方Instagram asf_wowow
https://t.cn/A6SWeUj1
#ACTOR‘S SHORT FILM##高良健吾[超话]##ten carat#
#刘奕君[超话]# #刘奕君不奕乐乎#
終於⋯
台灣的粉嘟嘟也收到書啦[打call]
謝謝劉老師辛苦的替嘟嘟們簽名
爪子都簽抽筋了也要寵粉,太愛您了[心]
很明顯我的這版簽名漂亮老師應該還沒抽筋也還沒急⋯吧[喵喵]
作為您的粉嘟嘟真的特別幸福也倍兒有面子[愛你]
一直忍著沒有看電子版
一來是因為想拿到漂亮老師簽過名、摸過的書再來慢慢拜讀
一來也是因為自己真的很喜歡看紙質書
小心翼翼的把書裝進書衣後現在要來透過老師的鏡頭、角度來看世界
順便窺探老師詮釋、塑造角色時的內心[喵喵]
再次謝謝老師@刘奕君actor ,簽名辛苦了[心] https://t.cn/z8D6aq1
終於⋯
台灣的粉嘟嘟也收到書啦[打call]
謝謝劉老師辛苦的替嘟嘟們簽名
爪子都簽抽筋了也要寵粉,太愛您了[心]
很明顯我的這版簽名漂亮老師應該還沒抽筋也還沒急⋯吧[喵喵]
作為您的粉嘟嘟真的特別幸福也倍兒有面子[愛你]
一直忍著沒有看電子版
一來是因為想拿到漂亮老師簽過名、摸過的書再來慢慢拜讀
一來也是因為自己真的很喜歡看紙質書
小心翼翼的把書裝進書衣後現在要來透過老師的鏡頭、角度來看世界
順便窺探老師詮釋、塑造角色時的內心[喵喵]
再次謝謝老師@刘奕君actor ,簽名辛苦了[心] https://t.cn/z8D6aq1
Head of a Man
ca. 1718
Antoine Watteau French
This expressive sheet is a study for the man's head in Watteau's painting Mezzetin, also in the Museum's collection (34.138). Mezzetin was a character in the popular commedia dell'arte, typically amorous and sentimental. In the Museum's painting, he sits on a stone bench outside a building, playing a guitar and gazing plaintively at an unseen window. The artist placed a female garden statue in the woods behind the Mezzetin, its back turned to the actor, suggesting an unrequited love. In this robust red and black study, Watteau established the angle of the head, the uplifted eyes, and the parted lips that were carried over into the painting. In its emotional force and the melding of the two colors of chalk, this sheet recalls the precedent of Rubens, an artist much admired by Watteau.
ca. 1718
Antoine Watteau French
This expressive sheet is a study for the man's head in Watteau's painting Mezzetin, also in the Museum's collection (34.138). Mezzetin was a character in the popular commedia dell'arte, typically amorous and sentimental. In the Museum's painting, he sits on a stone bench outside a building, playing a guitar and gazing plaintively at an unseen window. The artist placed a female garden statue in the woods behind the Mezzetin, its back turned to the actor, suggesting an unrequited love. In this robust red and black study, Watteau established the angle of the head, the uplifted eyes, and the parted lips that were carried over into the painting. In its emotional force and the melding of the two colors of chalk, this sheet recalls the precedent of Rubens, an artist much admired by Watteau.
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