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Ellie Burd
“SHE MAY NOT REMEMBER YOU”
Consisting of portraits and landscapes, the “*intentionally ambiguous”*and non-linear narrative suggests the complexities of the disease and leaves the viewer slightly disorientated while trying to decipher the connections between the images. Burd says this is “*echoing the confusion of memory suffering with a form of dementia*.” In the full body of work, the portraits make up the minority of images as they form the moments of clarity “*where suddenly everything slots into place and they say something that makes sense*”. For some, these moments of clarity could happen daily, for others they could be years apart. Burd explains that the project doesn’t focus on any one subject as she doesn’t feel like she is in a position to fully understand their lives ‘*outside of the comparatively small amount of time’*spent with them.
Ellie Burd
“SHE MAY NOT REMEMBER YOU”
Consisting of portraits and landscapes, the “*intentionally ambiguous”*and non-linear narrative suggests the complexities of the disease and leaves the viewer slightly disorientated while trying to decipher the connections between the images. Burd says this is “*echoing the confusion of memory suffering with a form of dementia*.” In the full body of work, the portraits make up the minority of images as they form the moments of clarity “*where suddenly everything slots into place and they say something that makes sense*”. For some, these moments of clarity could happen daily, for others they could be years apart. Burd explains that the project doesn’t focus on any one subject as she doesn’t feel like she is in a position to fully understand their lives ‘*outside of the comparatively small amount of time’*spent with them.
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Single Person Gallery In Shanghai
by Offhand Practice
“a carved archway leads visitors into the space. Walking through a low door, as if they were creeping into a cave entryway, guests to the gallery are presented with a narrow, textured interior that is divided into four rooms set at differing levels—a considered approach by Offhand Practice to emphasize the feeling of descending into, and resurfacing from, an underground shelter. The gallery’s only source of natural light is from the door of the front entrance as well as a courtyard space at the back, with a series of artificial skylights and unevenly-positioned lights to emulate the way light can puncture through caves. Curved platforms in the walls appear as if they have been carved out of surfaces to exhibit the design objects. ”
Single Person Gallery In Shanghai
by Offhand Practice
“a carved archway leads visitors into the space. Walking through a low door, as if they were creeping into a cave entryway, guests to the gallery are presented with a narrow, textured interior that is divided into four rooms set at differing levels—a considered approach by Offhand Practice to emphasize the feeling of descending into, and resurfacing from, an underground shelter. The gallery’s only source of natural light is from the door of the front entrance as well as a courtyard space at the back, with a series of artificial skylights and unevenly-positioned lights to emulate the way light can puncture through caves. Curved platforms in the walls appear as if they have been carved out of surfaces to exhibit the design objects. ”
#朱一龙叛逆者# #朱一龙林楠笙# #朱一龙2020并肩前行# #朱一龙2020爱你不停#CA10
今日份手写✍✍
\-.... --... .---- ..-.\..... ..-. ---.. .....\-.... --... ----. --...\-.... ----. -.... -----\--... -... .---- ----. 白的是信仰，红的是忠诚，你点上一只烟，吐出的云雾缭绕，你说你是一个叛逆者！期待朱一龙林楠笙叛逆之行！ @朱一龙
今日份手写✍✍
\-.... --... .---- ..-.\..... ..-. ---.. .....\-.... --... ----. --...\-.... ----. -.... -----\--... -... .---- ----. 白的是信仰，红的是忠诚，你点上一只烟，吐出的云雾缭绕，你说你是一个叛逆者！期待朱一龙林楠笙叛逆之行！ @朱一龙
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