【遇到暴雨天气怎么办,安全常识要记牢】
大范围的大暴雨或特大暴雨,往往会在短时间内导致洪涝或城市内涝,威胁居民生命财产安全。
【预防/预警】
(1)四色警报。暴雨预警信号分四级,Ⅳ级(一般)、Ⅲ级(较重)、Ⅱ级(严重)、I级(特别严重),依次用蓝色、黄色、橙色和红色表示。
(2)畅通水道。不要将垃圾、杂物丢入下水道,以防堵塞,积水成灾。
(3)修好屋顶。家住平房的居民应在雨季来临之前检查房屋,维修房顶。
(4)关掉电源。室外积水若漫入室内,应立即切断电源,防止积水带电伤人。
【应急要点】
(1)挡门口,防内涝。为防止降暴雨时居民住房发生小内涝,可因地制宜,在家门口放置挡水板或堆砌土坎。
(2)多观察,防触电。暴雨来袭,要远离电线、电器等设施,以防漏电致人伤亡。
(3)水中行,避井坑。积水中行走,要注意观察,防止跌入窨井、地坑等。
(4)遇积水,车绕行。路面或立交桥下积水过深时,车辆应尽量绕行,不要强行通过。
大范围的大暴雨或特大暴雨,往往会在短时间内导致洪涝或城市内涝,威胁居民生命财产安全。
【预防/预警】
(1)四色警报。暴雨预警信号分四级,Ⅳ级(一般)、Ⅲ级(较重)、Ⅱ级(严重)、I级(特别严重),依次用蓝色、黄色、橙色和红色表示。
(2)畅通水道。不要将垃圾、杂物丢入下水道,以防堵塞,积水成灾。
(3)修好屋顶。家住平房的居民应在雨季来临之前检查房屋,维修房顶。
(4)关掉电源。室外积水若漫入室内,应立即切断电源,防止积水带电伤人。
【应急要点】
(1)挡门口,防内涝。为防止降暴雨时居民住房发生小内涝,可因地制宜,在家门口放置挡水板或堆砌土坎。
(2)多观察,防触电。暴雨来袭,要远离电线、电器等设施,以防漏电致人伤亡。
(3)水中行,避井坑。积水中行走,要注意观察,防止跌入窨井、地坑等。
(4)遇积水,车绕行。路面或立交桥下积水过深时,车辆应尽量绕行,不要强行通过。
If you're waiting for the perfect moment, you'll never write a thing because it will never arrive. I have no routine. I have no foolproof anything. There's nothing foolproof.
You are not really allowed to be an icon unless you also make an idiot of yourself.
When I am writing fiction, I believe I am much better organized, more methodical - one has to be when writing a novel. Writing poetry is a state of free float.
The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation. I don't think I solve problems in my poetry; I think I uncover the problems.
I'm a strict, strict agnostic. It's very different from a casual, 'I don't know.' It's that you cannot present as knowledge something that is not knowledge. You can present it as faith, you can present it as belief, but you can't present it as fact.
There is good and mediocre writing within every genre.
Margaret Atwood
You are not really allowed to be an icon unless you also make an idiot of yourself.
When I am writing fiction, I believe I am much better organized, more methodical - one has to be when writing a novel. Writing poetry is a state of free float.
The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation. I don't think I solve problems in my poetry; I think I uncover the problems.
I'm a strict, strict agnostic. It's very different from a casual, 'I don't know.' It's that you cannot present as knowledge something that is not knowledge. You can present it as faith, you can present it as belief, but you can't present it as fact.
There is good and mediocre writing within every genre.
Margaret Atwood
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