挪威五人乐队#SERENA MANEESH#，2010年于#4AD#发行第二张专辑《S M No.2：ABYSS IN B MINOR》(2号作品，深渊 B小调)。开篇第一首「Ayisha Abyss」即为点题之作，7分多钟的作品，据说是在奥斯陆郊外的一个山洞中录制。音乐理念是在一个有限的空间里面追求无限的声音实验，并刻意把所有的声效压制在一个扁平的音域内，营造一种混沌而复杂却又急速流动的状态。包括男女声部、两把吉他、贝斯、合成器还有各种敲击声响。
06年首发专辑《SERENA MANEESH》获得好评，但被评价有很深#My Bloody Valentine#的dream pop影子，乐队也坦承他们的音乐风格受MBV的影响和启发。
第二张专辑花了两年的时间录制，并请来Primal Scream的混音师Nick花了两个月时间混音制作。但专辑只有八首作品，37分钟时长，给人感觉专辑的理念并未能完全展现。
#黑胶##黑胶唱片##Shoegazing#
06年首发专辑《SERENA MANEESH》获得好评，但被评价有很深#My Bloody Valentine#的dream pop影子，乐队也坦承他们的音乐风格受MBV的影响和启发。
第二张专辑花了两年的时间录制，并请来Primal Scream的混音师Nick花了两个月时间混音制作。但专辑只有八首作品，37分钟时长，给人感觉专辑的理念并未能完全展现。
#黑胶##黑胶唱片##Shoegazing#
【Getty Villa的文物们】第33弹——Treasures from the Villa dei Papiri (4)
大理石雕塑：Pan and a She-Goat [喵喵][喵喵][喵喵][喵喵]
昨天贴的那幅画里有Pan，刚好手头上有Pan的一个雕塑的照片、、
也是意大利Naples的Museo Archeologico Nazionale（这三个意大利语词对应的英文肯定是National Archaeological Museum[笑cry]）的藏品。
！！！未成年人退散！！！
[允悲][允悲][允悲]
下面是说明：
Roman, 1st century AD
Marble (from Carrara) with pigment
Found on the south side of the rectangular peristyle, 4 on Weber's plan, March 1, 1752
The demigod Pan, part man and part goat, grasps the beard and right rear knee of a reclining she-goat and penetrates her. The pair is arranged more like humans than animals, copulating face-to-face rather than from behind. Modern commentators have viewed their coupling as alternatively comic, tender, or brutal. The sculpture was likely based on an earlier prototype that continued to be adapted after this example was buried by Mount Vesuvius in AD 79, for the composition also appears on later Roman sarcophagi.
#古罗马# #文物#
大理石雕塑：Pan and a She-Goat [喵喵][喵喵][喵喵][喵喵]
昨天贴的那幅画里有Pan，刚好手头上有Pan的一个雕塑的照片、、
也是意大利Naples的Museo Archeologico Nazionale（这三个意大利语词对应的英文肯定是National Archaeological Museum[笑cry]）的藏品。
！！！未成年人退散！！！
[允悲][允悲][允悲]
下面是说明：
Roman, 1st century AD
Marble (from Carrara) with pigment
Found on the south side of the rectangular peristyle, 4 on Weber's plan, March 1, 1752
The demigod Pan, part man and part goat, grasps the beard and right rear knee of a reclining she-goat and penetrates her. The pair is arranged more like humans than animals, copulating face-to-face rather than from behind. Modern commentators have viewed their coupling as alternatively comic, tender, or brutal. The sculpture was likely based on an earlier prototype that continued to be adapted after this example was buried by Mount Vesuvius in AD 79, for the composition also appears on later Roman sarcophagi.
#古罗马# #文物#
day 56#MTI #
Given the many inconveniences in measuring time by the flow of water, water-driven mechanical timepieces were invented. In 117 AD , Zhang Heng in the Eastern Han Dynasty built the water-driven celestial globe which possessed basic functions as a mechanical clock. Instruments equipped with timekeeping devices were invented in the following dynasties, and among them, the water-driven celestial observatory created by Su Song in the Song Dynasty pushed the development of mechanical timekeepers to a new height. Its timekeeping component incorporated clock jacks to sound the quarters and hours by beating drums and ringing bells respectively. 单纯利用水的流动来计时有许多不便，人们逐渐发明了利用水做动力，以驱动机械结构来计时。公元117年，东汉的张衡制造了大型天文计时仪器——水运浑天仪（the water-driven celestial globe），初步具备了机械性计时器的作用。随后历代都相继制作了附设有计时装置的仪器，其中宋代苏颂制造的水运仪象台（the water-driven celestial observatory），把机械计时装置的发展推到了一个新的高峰，水运仪象台的计时机械部分可以按时刻使木偶出来击鼓报刻，摇铃报时。
Given the many inconveniences in measuring time by the flow of water, water-driven mechanical timepieces were invented. In 117 AD , Zhang Heng in the Eastern Han Dynasty built the water-driven celestial globe which possessed basic functions as a mechanical clock. Instruments equipped with timekeeping devices were invented in the following dynasties, and among them, the water-driven celestial observatory created by Su Song in the Song Dynasty pushed the development of mechanical timekeepers to a new height. Its timekeeping component incorporated clock jacks to sound the quarters and hours by beating drums and ringing bells respectively. 单纯利用水的流动来计时有许多不便，人们逐渐发明了利用水做动力，以驱动机械结构来计时。公元117年，东汉的张衡制造了大型天文计时仪器——水运浑天仪（the water-driven celestial globe），初步具备了机械性计时器的作用。随后历代都相继制作了附设有计时装置的仪器，其中宋代苏颂制造的水运仪象台（the water-driven celestial observatory），把机械计时装置的发展推到了一个新的高峰，水运仪象台的计时机械部分可以按时刻使木偶出来击鼓报刻，摇铃报时。
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