#文明之美看东方##暑期博物馆打卡##我家乡的文物古迹#东石善村,位于信都区北小庄乡。灵霄山前,白马河畔,东石善村依山傍水,村中民居错落有致,有五街三巷,分布井然有序。其中李家古居占地面积12000平方米,主要建筑和公共建筑已列入县级保护名录,是东石善村古民居代表建筑。
东石善村自古民风淳朴,历史悠久,被评为河北省级历史文化名村,入选第五批全国传统村落。
(李家古居)
白马河旁 石砌古居
流淌的白马河川流而过,沿河畔新修建的广场西行,经过一块褐色碑石,东石善村步入眼帘。
1982年,全国地名标准化时,为区别原邢台县枣园乡石善村,村庄更名东石善村。
穿过斑驳的东皋石砌阁门,缓步东石善村中小道,村街道路现用水泥路面铺就而成,古时的石砌路面多用于巷道,今天依然发挥着作用。阁楼上有天、地、水三官神像,被当地人称之为“三官阁”。“三官阁”南有古戏楼一座,模样古朴,从细微处露出的石砌剖面,可以看出当年能工巧匠的独具慧心。
东石善村古民居错落分布,皆为片麻岩石垒砌而成,内院土木结构的四合院有主有辅,串串相连。保存较好的民居四角呈L形的高墙,用花砖垒砌成尖角,壮观不失威严,形成村庄内的一道独特景观。
村道旁有一座饱经风雨的老磨坊,石墩子撑起木柱,木柱架起一座房檐,既能遮蔽风雨,又能扩大面积,尽显劳动人民的智慧。村内街角一处古井,井壁用花岗岩垒砌而成,井口有提水辘轳木架,只是如今观赏价值更大于实用价值。
沿村道自西向东一字排开的三处李家古居,为明清时所建。前后院套院、墙连墙,有后门、旁门洞,方便进出,据说是为了有紧急事发生时,主人可以周旋躲避。李家大院坐北朝南,门前上马石、栓马桩、护鼓石、门墩一应俱全。青砖巍峨,砖雕石刻,虽久经沧桑变迁,仍让人心生历史的敬畏感。
勤善传统 源远流长
2009年,全国开展第三次文物普查,河北省文物局在北小庄乡发现一处旧石器时期遗址,距今约有20万年。有专家考证,东石善村西小寨和大石岩山寨,早在东汉末年就有人居住。明朝永乐年间,有多姓始祖从山西洪洞分丁移民,迁居石善。自此,村庄逐渐兴旺。
东石善村前任党支部书记张文源介绍说,东石善土地不多,且多是山地,水分涵养差,产量收获低。为了生息,邻里互助、勤劳善良的传统便在村庄内代代相传。
据《东石善村村志》记载,出生于清朝乾隆年间的东石善村人李自勤,自幼随父经商,因为人勤劳守信,生意越做越大。中年家境富裕后,开始多行善事。邢台通往山西的古商道鹤度岭加宽铺石硬化时他曾带头募捐,深得时人赞许。
李家人虽然财大业大,但做生意从不欺行霸市,在村中经常接济他人。清朝嘉庆年间本地连年荒灾、农作物欠收,土地房屋多低价出卖。李自勤收买后以自家中院为中心,翻建东、西、中三座院落。进门设木制影背,李家大院整个院落占全村古宅四分之一,成为东石善村标志性建筑。
张文源说:“东石善村先后修建的东皋、北皋、南皋、戏楼、三官阁、武校以及岭南骡马古道都是按照富人出钱,穷人出力的原则承办,民风延续至今。”
在李家古居有一处“为人民服务”牌匾,缘起于李自勤长媳,人称高老娘。当时李家经营布匹、煤炭、核桃、板栗等,生意遍及山西、内蒙。李家要求各家掌柜公道买卖,生意日渐兴隆。高氏持家公正,秉持东石善村以孝为先的理念,孝敬公婆、抚儿育女、帮衬兄弟,曾被县衙颁发牌匾嘉奖,在当地成为美谈,后改为现在的字样。
(东石善村古戏楼)
村志铭远 古风新貌
“有山之处都栽树,有土之处尽成林。桑蚕已超江南胜,尧桃独占江北春。”当代著名诗人乔羽曾在这里留下诗篇,是东石善村变化的真实写照。
新中国成立后,东石善村坚持科学治山造林,优化自然环境,通过艰苦奋斗,努力改善贫穷落后面貌。先后修地110余亩,绿化荒山8000亩,栽种各种果树60000余株……
2016年,东石善村“两委”班子广泛征求意见,组建了村志编纂委员会。先后组织160余人召开8次座谈会,走访村中老党员、老干部、老村民50余人次,查阅各类资料20余份,于2018年编纂出《东石善村村志》,为村庄“资治、存史、教化”发挥了积极作用。
近年来,东石善村陆续被评选为邢台市魅力古村落、河北省级历史文化名村,入选第五批全国传统村落。
东石善村党支部书记白国强介绍说,村“两委”班子坚持以“党建+”为引领,以乡村旅游为发展目标,积极制定村规民约,建设村绿色长廊、河道美化治理、污水治理等基础设施建设,积极谋划魅力古村落开发,着力打造生态宜居东石善。
(记者 王剑)
东石善村自古民风淳朴,历史悠久,被评为河北省级历史文化名村,入选第五批全国传统村落。
(李家古居)
白马河旁 石砌古居
流淌的白马河川流而过,沿河畔新修建的广场西行,经过一块褐色碑石,东石善村步入眼帘。
1982年,全国地名标准化时,为区别原邢台县枣园乡石善村,村庄更名东石善村。
穿过斑驳的东皋石砌阁门,缓步东石善村中小道,村街道路现用水泥路面铺就而成,古时的石砌路面多用于巷道,今天依然发挥着作用。阁楼上有天、地、水三官神像,被当地人称之为“三官阁”。“三官阁”南有古戏楼一座,模样古朴,从细微处露出的石砌剖面,可以看出当年能工巧匠的独具慧心。
东石善村古民居错落分布,皆为片麻岩石垒砌而成,内院土木结构的四合院有主有辅,串串相连。保存较好的民居四角呈L形的高墙,用花砖垒砌成尖角,壮观不失威严,形成村庄内的一道独特景观。
村道旁有一座饱经风雨的老磨坊,石墩子撑起木柱,木柱架起一座房檐,既能遮蔽风雨,又能扩大面积,尽显劳动人民的智慧。村内街角一处古井,井壁用花岗岩垒砌而成,井口有提水辘轳木架,只是如今观赏价值更大于实用价值。
沿村道自西向东一字排开的三处李家古居,为明清时所建。前后院套院、墙连墙,有后门、旁门洞,方便进出,据说是为了有紧急事发生时,主人可以周旋躲避。李家大院坐北朝南,门前上马石、栓马桩、护鼓石、门墩一应俱全。青砖巍峨,砖雕石刻,虽久经沧桑变迁,仍让人心生历史的敬畏感。
勤善传统 源远流长
2009年,全国开展第三次文物普查,河北省文物局在北小庄乡发现一处旧石器时期遗址,距今约有20万年。有专家考证,东石善村西小寨和大石岩山寨,早在东汉末年就有人居住。明朝永乐年间,有多姓始祖从山西洪洞分丁移民,迁居石善。自此,村庄逐渐兴旺。
东石善村前任党支部书记张文源介绍说,东石善土地不多,且多是山地,水分涵养差,产量收获低。为了生息,邻里互助、勤劳善良的传统便在村庄内代代相传。
据《东石善村村志》记载,出生于清朝乾隆年间的东石善村人李自勤,自幼随父经商,因为人勤劳守信,生意越做越大。中年家境富裕后,开始多行善事。邢台通往山西的古商道鹤度岭加宽铺石硬化时他曾带头募捐,深得时人赞许。
李家人虽然财大业大,但做生意从不欺行霸市,在村中经常接济他人。清朝嘉庆年间本地连年荒灾、农作物欠收,土地房屋多低价出卖。李自勤收买后以自家中院为中心,翻建东、西、中三座院落。进门设木制影背,李家大院整个院落占全村古宅四分之一,成为东石善村标志性建筑。
张文源说:“东石善村先后修建的东皋、北皋、南皋、戏楼、三官阁、武校以及岭南骡马古道都是按照富人出钱,穷人出力的原则承办,民风延续至今。”
在李家古居有一处“为人民服务”牌匾,缘起于李自勤长媳,人称高老娘。当时李家经营布匹、煤炭、核桃、板栗等,生意遍及山西、内蒙。李家要求各家掌柜公道买卖,生意日渐兴隆。高氏持家公正,秉持东石善村以孝为先的理念,孝敬公婆、抚儿育女、帮衬兄弟,曾被县衙颁发牌匾嘉奖,在当地成为美谈,后改为现在的字样。
(东石善村古戏楼)
村志铭远 古风新貌
“有山之处都栽树,有土之处尽成林。桑蚕已超江南胜,尧桃独占江北春。”当代著名诗人乔羽曾在这里留下诗篇,是东石善村变化的真实写照。
新中国成立后,东石善村坚持科学治山造林,优化自然环境,通过艰苦奋斗,努力改善贫穷落后面貌。先后修地110余亩,绿化荒山8000亩,栽种各种果树60000余株……
2016年,东石善村“两委”班子广泛征求意见,组建了村志编纂委员会。先后组织160余人召开8次座谈会,走访村中老党员、老干部、老村民50余人次,查阅各类资料20余份,于2018年编纂出《东石善村村志》,为村庄“资治、存史、教化”发挥了积极作用。
近年来,东石善村陆续被评选为邢台市魅力古村落、河北省级历史文化名村,入选第五批全国传统村落。
东石善村党支部书记白国强介绍说,村“两委”班子坚持以“党建+”为引领,以乡村旅游为发展目标,积极制定村规民约,建设村绿色长廊、河道美化治理、污水治理等基础设施建设,积极谋划魅力古村落开发,着力打造生态宜居东石善。
(记者 王剑)
#春风社学堂[超话]#
《素书》十九课
十七讲,本德宗道
夫志心笃行之术,长莫长于博谋
道,德,仁,智存于心,礼,义,廉,耻用于外;人能志心笃行,乃立身成名之本。
古圣先贤,所能成大事者,都有远大的志向和信仰,这也是立身成名的根本。
志心:青云之志或者凌云之志。就是你发多大的愿力,为天下苍生谋幸福,你就能成就多大的事业。
笃行:踏踏实实,脚踏实地的去做
志心笃行相结合才能成大事
博谋:着眼未来,眼光放长远,长远到你的一生。反之,没有长远的规划,只在于眼前的利益,将得不偿失。古语云:人无远虑,必有近忧。
人生就像是一局棋。我们就向下棋一样,得会排兵布阵,走好每一步。博弈高手,都会看几步。只要脚踏实地的走下去,后面关键的几步棋就好把握住了。
《素书》十九课
十七讲,本德宗道
夫志心笃行之术,长莫长于博谋
道,德,仁,智存于心,礼,义,廉,耻用于外;人能志心笃行,乃立身成名之本。
古圣先贤,所能成大事者,都有远大的志向和信仰,这也是立身成名的根本。
志心:青云之志或者凌云之志。就是你发多大的愿力,为天下苍生谋幸福,你就能成就多大的事业。
笃行:踏踏实实,脚踏实地的去做
志心笃行相结合才能成大事
博谋:着眼未来,眼光放长远,长远到你的一生。反之,没有长远的规划,只在于眼前的利益,将得不偿失。古语云:人无远虑,必有近忧。
人生就像是一局棋。我们就向下棋一样,得会排兵布阵,走好每一步。博弈高手,都会看几步。只要脚踏实地的走下去,后面关键的几步棋就好把握住了。
#双语阅读#【古文里的高级审美词汇,怎样翻译成英文?】品佳作,赞盛景,本想脱口而出,奈何词穷无言。中华文化广而博,这里整理了一些古文中高级审美词汇表达,学起来吧!
1.洗炼 Terseness / Make Writing Succinct
精简词句,提炼要义。洗炼是一种文字干净、主旨鲜明的文学风格。
This term means that wording should be refined to highlight the essential message. Terseness is a mark of neat and thematically explicit writing.
▌引例
不洗不净,不炼不纯。惟陈言之务去,独戛戛乎生新。(孙联奎《诗品臆说》)
Nothing will be clean until it is cleansed. Nothing will be pure until it is refined. Only by ridding ourselves of any banality, can we become truly original.
2.雄浑 Powerfulness
指雄健有力、浑厚自然的艺术风格与审美气象。
This term, which literally means power and splendor, refers to a natural and powerful artistic style and aesthetic taste.
▌引例
大力无敌为雄,元气未分为浑。(杨廷芝《 <二十四诗品> 浅解》)
Powerfulness means invincible power and indivisible mass of vital energy.
3.纯素 Pure and Unadorned
纯粹而素朴。指纯然素朴、不加人工雕饰的本色之美。
This term refers to natural, unadorned beauty.
▌引例
纯素之道,惟神是守。守而勿失,与神为一。 (《庄子·刻意》)
Within spiritual being lies the value of pure simplicity. If you retain your spirit without fail, you became one with it.
4.隐秀 Latent Sentiment and Evident Beauty
诗歌与文章既隐含丰富的思想感情,又有秀美的名言佳句。
This term means that prose and poetry may contain latent sentiments and thoughts, as well as expressions and sentences that present an apparent sense of beauty.
▌引例
情在词外曰隐,状溢目前曰秀。 (张戒《岁寒堂诗话》卷上引刘勰语)
Latency happens when feelings and thoughts are hidden between the lines of a literary work. Evident beauty occurs when messages of sentiment and feelings are vividly portrayed by the images the author creates.
5.飘逸 Natural Grace
指诗歌作品中所表现出的逍遥自适、超凡脱俗、无拘无束的审美情趣和艺术风格。
Natural Grace refers to free and unconstrained aesthetic style and artistic appeal in poetic works.
▌引例
子美不能为太白之飘逸,太白不能为子美之沉郁。 (严羽《沧浪诗话·诗评》)
Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu’s poems.
6.空灵 Ethereal Effect
空灵用笔洗练,重在传达神韵,具有空灵特点的作品澄澈透明、飘逸灵动,能使人体悟到自由超脱的审美愉悦。
The notion of ethereal effect values simple layout and economical use of details, seeking to convey character and imagination. Works that make use of ethereal effect convey a wonderful lucidity, and possess openness, freedom, and natural grace. Such works enable viewers to appreciate the aesthetic joy of free imagination.
▌引例
古人用笔极塞实处愈见空灵,今人布置一角已见繁缛。(恽格《南田画跋·题画》)
When painting, classical artists made use of ethereal effect all the more where a dense collection of objects normally was required. However today’s artists no sooner begin to paint than they fill the space with elaborate details.
7.枯淡 Dry Plainness
指诗文作品所呈现的质朴干枯、平和清淡的艺术风格。
This refers to a literary style that appears plain and dry, mild and moderate.
枯淡不是枯涩寡味、平庸浅薄,而是指外表看似干枯平淡、内里丰腴醇厚的一种表现手法,旨在用质朴平淡的语言和描写来表现丰富深刻的思想内容,创造出含蓄深邃、醇厚高远的意境。
▌引例
所贵乎枯淡者,谓其外枯而中膏,似淡而实美,渊明、子厚之流是也。(苏轼《评韩柳诗》)
I value the style of dry plainness because it looks withered and dry outside but is rich inside; it appears plain but is in fact beautiful. Poetry by such writers as Tao Yuanming and Liu Zongyuan is like this.
8.畅神 Free Flow of One's Mind
指精神与自然合一时所达到的自由舒畅的一种审美状态。
The term describes a state of mind one achieves when appreciating an artwork, in which process one's inner feelings interact freely and joyfully with nature.
▌引例
圣贤映于绝代,万趣融其神思,余复何为哉?畅神而已。(宗炳《画山水序》)
As sages of remote past already discovered the philosophical wisdom inherent in nature through imagination and contemplation, what more do I need to do now? All I have to do is relishing the joy when my mind interacts freely with the depicted landscape.
9.高古 Unadorned Antiquity
高远古朴,高雅简古。用于文艺批评,主要指文艺作品中所体现出的意蕴高远古朴、情志高雅,凝重而又深具历史感的艺术风格。
This term describes the quality of loftiness or primitive simplicity, and is used primarily in literary criticism to refer to an ancient nobility, an aspiration or sentiment, or an artistic style of historical gravity.
它有时也指高人雅士独具的一种人格境界。
This term is also used to refer to an elevated state of being attained by noble-minded persons.
▌引例
汉人诗文,存于今者,无不高古浑朴。(章学诚《文史通义·内篇五·妇学篇书后》)
Prose and poetry by Han Dynasty authors, so long as they have survived to this day, all show a lofty adherence to an unadorned antiquity and a charming rusticity.
10.气象 Prevailing Features
原是自然界中景色物候的总称,也指某个时期社会的总体精神风貌。
Qixiang (气象), originally a term about the general state of scenery and physical objects in nature, also refers to the prevailing features of a society in a given period of time.
具体到艺术领域,指艺术作品所呈现出的风格与气概,内涵偏重于宏伟壮大,多用“雄浑”(heroic)“浑厚”(immense)“峥嵘”(sublime)等来修饰。
▌引例
盛唐诸公之诗,如颜鲁公书,既笔力雄壮,又气象浑厚。(严羽《答出继叔临安吴景仙书》)
Works of many poets during the prime of the Tang Dynasty struck readers with their powerful expression, just like the calligraphy of Yan Zhenqing.(内容来源于中国日报网英语点津)
1.洗炼 Terseness / Make Writing Succinct
精简词句,提炼要义。洗炼是一种文字干净、主旨鲜明的文学风格。
This term means that wording should be refined to highlight the essential message. Terseness is a mark of neat and thematically explicit writing.
▌引例
不洗不净,不炼不纯。惟陈言之务去,独戛戛乎生新。(孙联奎《诗品臆说》)
Nothing will be clean until it is cleansed. Nothing will be pure until it is refined. Only by ridding ourselves of any banality, can we become truly original.
2.雄浑 Powerfulness
指雄健有力、浑厚自然的艺术风格与审美气象。
This term, which literally means power and splendor, refers to a natural and powerful artistic style and aesthetic taste.
▌引例
大力无敌为雄,元气未分为浑。(杨廷芝《 <二十四诗品> 浅解》)
Powerfulness means invincible power and indivisible mass of vital energy.
3.纯素 Pure and Unadorned
纯粹而素朴。指纯然素朴、不加人工雕饰的本色之美。
This term refers to natural, unadorned beauty.
▌引例
纯素之道,惟神是守。守而勿失,与神为一。 (《庄子·刻意》)
Within spiritual being lies the value of pure simplicity. If you retain your spirit without fail, you became one with it.
4.隐秀 Latent Sentiment and Evident Beauty
诗歌与文章既隐含丰富的思想感情,又有秀美的名言佳句。
This term means that prose and poetry may contain latent sentiments and thoughts, as well as expressions and sentences that present an apparent sense of beauty.
▌引例
情在词外曰隐,状溢目前曰秀。 (张戒《岁寒堂诗话》卷上引刘勰语)
Latency happens when feelings and thoughts are hidden between the lines of a literary work. Evident beauty occurs when messages of sentiment and feelings are vividly portrayed by the images the author creates.
5.飘逸 Natural Grace
指诗歌作品中所表现出的逍遥自适、超凡脱俗、无拘无束的审美情趣和艺术风格。
Natural Grace refers to free and unconstrained aesthetic style and artistic appeal in poetic works.
▌引例
子美不能为太白之飘逸,太白不能为子美之沉郁。 (严羽《沧浪诗话·诗评》)
Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu’s poems.
6.空灵 Ethereal Effect
空灵用笔洗练,重在传达神韵,具有空灵特点的作品澄澈透明、飘逸灵动,能使人体悟到自由超脱的审美愉悦。
The notion of ethereal effect values simple layout and economical use of details, seeking to convey character and imagination. Works that make use of ethereal effect convey a wonderful lucidity, and possess openness, freedom, and natural grace. Such works enable viewers to appreciate the aesthetic joy of free imagination.
▌引例
古人用笔极塞实处愈见空灵,今人布置一角已见繁缛。(恽格《南田画跋·题画》)
When painting, classical artists made use of ethereal effect all the more where a dense collection of objects normally was required. However today’s artists no sooner begin to paint than they fill the space with elaborate details.
7.枯淡 Dry Plainness
指诗文作品所呈现的质朴干枯、平和清淡的艺术风格。
This refers to a literary style that appears plain and dry, mild and moderate.
枯淡不是枯涩寡味、平庸浅薄,而是指外表看似干枯平淡、内里丰腴醇厚的一种表现手法,旨在用质朴平淡的语言和描写来表现丰富深刻的思想内容,创造出含蓄深邃、醇厚高远的意境。
▌引例
所贵乎枯淡者,谓其外枯而中膏,似淡而实美,渊明、子厚之流是也。(苏轼《评韩柳诗》)
I value the style of dry plainness because it looks withered and dry outside but is rich inside; it appears plain but is in fact beautiful. Poetry by such writers as Tao Yuanming and Liu Zongyuan is like this.
8.畅神 Free Flow of One's Mind
指精神与自然合一时所达到的自由舒畅的一种审美状态。
The term describes a state of mind one achieves when appreciating an artwork, in which process one's inner feelings interact freely and joyfully with nature.
▌引例
圣贤映于绝代,万趣融其神思,余复何为哉?畅神而已。(宗炳《画山水序》)
As sages of remote past already discovered the philosophical wisdom inherent in nature through imagination and contemplation, what more do I need to do now? All I have to do is relishing the joy when my mind interacts freely with the depicted landscape.
9.高古 Unadorned Antiquity
高远古朴,高雅简古。用于文艺批评,主要指文艺作品中所体现出的意蕴高远古朴、情志高雅,凝重而又深具历史感的艺术风格。
This term describes the quality of loftiness or primitive simplicity, and is used primarily in literary criticism to refer to an ancient nobility, an aspiration or sentiment, or an artistic style of historical gravity.
它有时也指高人雅士独具的一种人格境界。
This term is also used to refer to an elevated state of being attained by noble-minded persons.
▌引例
汉人诗文,存于今者,无不高古浑朴。(章学诚《文史通义·内篇五·妇学篇书后》)
Prose and poetry by Han Dynasty authors, so long as they have survived to this day, all show a lofty adherence to an unadorned antiquity and a charming rusticity.
10.气象 Prevailing Features
原是自然界中景色物候的总称,也指某个时期社会的总体精神风貌。
Qixiang (气象), originally a term about the general state of scenery and physical objects in nature, also refers to the prevailing features of a society in a given period of time.
具体到艺术领域,指艺术作品所呈现出的风格与气概,内涵偏重于宏伟壮大,多用“雄浑”(heroic)“浑厚”(immense)“峥嵘”(sublime)等来修饰。
▌引例
盛唐诸公之诗,如颜鲁公书,既笔力雄壮,又气象浑厚。(严羽《答出继叔临安吴景仙书》)
Works of many poets during the prime of the Tang Dynasty struck readers with their powerful expression, just like the calligraphy of Yan Zhenqing.(内容来源于中国日报网英语点津)
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