#沈梦瑶[超话]#
11月5日撞曲P/K，全网征集FLAG，有意者请联系主页or群管，感谢各位！
转 发Flag
①https://t.cn/A6oOxPzz
②https://t.cn/A6oOxPzA
③https://t.cn/A6oOxPzL
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②①https://t.cn/A6oOx4sP
②②https://t.cn/A6oO9TVf
②③https://t.cn/A6oOaCDR
11月5日撞曲P/K，全网征集FLAG，有意者请联系主页or群管，感谢各位！
转 发Flag
①https://t.cn/A6oOxPzz
②https://t.cn/A6oOxPzA
③https://t.cn/A6oOxPzL
④https://t.cn/A6oOxPzy
⑤https://t.cn/A6oO9pZv
⑥https://t.cn/A6oO9TVP
⑦https://t.cn/A6oOxPz2
⑧https://t.cn/A6oOJwTw
⑨https://t.cn/A6oOJbQy
⑩https://t.cn/A6oOJprJ
⑪https://t.cn/A6oOxPzw
⑫https://t.cn/A6oOxx6y
⑬https://t.cn/A6oOo8Mn
⑭https://t.cn/A6oOxx6L
⑮https://t.cn/A6oOxPzZ
⑯https://t.cn/A6oOJMxu
⑰https://t.cn/A6oO6BME
⑱https://t.cn/A6oOJpri
⑲https://t.cn/A6oOxPzU
⑳https://t.cn/A6oOaCdc
②①https://t.cn/A6oOx4sP
②②https://t.cn/A6oO9TVf
②③https://t.cn/A6oOaCDR
K-POP Spotify月听众人数(10/28)
✅弹重回4000万
✅炽创自身新高
#防弹少年团# 40,008,230(+15,378)
Peak: 45,810,287
#BLACKPINK# 28,592,845(-289,855)
Peak: 34,123,272
#田柾国# 17,315,242(-21,444)
Peak: 21,960,116
#TWICE# 10,238,755(-33,007)
Peak: 11,919,170
#NewJeans# 8,057,755(-74,698)
Peak: 10,366,354
#IVE# 7,723,862(-35,722)
Peak: 8,737,714
#StrayKids# 7,490,233(+19,101)
Peak: 7,577,517
#(G)I-DLE# 7,217,430(+106,729)
Peak: 7,217,430 新高
#LESSERAFIM# 5,427,549(+112,363)
Peak: 5,427,549 新高
#Crush# 4,502,900(-24,615)
Peak: 4,782,010
#TREASURE# 4,290,431(+29,792)
Peak: 6,652,201
#NMIXX# 3,832,613(-11,939)
Peak: 3,898,236
#姜涩琪# 2,711,080(+53,886)
Peak: 2,711,080 新高
#金硕珍# 2,420,600(+575,588)
Peak: 3,429,544
⚠️ 每日统计范围：上千万的歌手和近期回归的歌手，不是所有歌手都会播报！有进有出，发歌的会加进来，持续下降的也会不再播报！
✅弹重回4000万
✅炽创自身新高
#防弹少年团# 40,008,230(+15,378)
Peak: 45,810,287
#BLACKPINK# 28,592,845(-289,855)
Peak: 34,123,272
#田柾国# 17,315,242(-21,444)
Peak: 21,960,116
#TWICE# 10,238,755(-33,007)
Peak: 11,919,170
#NewJeans# 8,057,755(-74,698)
Peak: 10,366,354
#IVE# 7,723,862(-35,722)
Peak: 8,737,714
#StrayKids# 7,490,233(+19,101)
Peak: 7,577,517
#(G)I-DLE# 7,217,430(+106,729)
Peak: 7,217,430 新高
#LESSERAFIM# 5,427,549(+112,363)
Peak: 5,427,549 新高
#Crush# 4,502,900(-24,615)
Peak: 4,782,010
#TREASURE# 4,290,431(+29,792)
Peak: 6,652,201
#NMIXX# 3,832,613(-11,939)
Peak: 3,898,236
#姜涩琪# 2,711,080(+53,886)
Peak: 2,711,080 新高
#金硕珍# 2,420,600(+575,588)
Peak: 3,429,544
⚠️ 每日统计范围：上千万的歌手和近期回归的歌手，不是所有歌手都会播报！有进有出，发歌的会加进来，持续下降的也会不再播报！
#每日中华文化专词双译# 【脱窠臼】
脱窠臼 Avoid Stereotypes
指戏曲创作应摆脱陈旧的创作模式。所谓窠臼，不仅指以往作品的窠臼，还包括创作者个人的窠臼。由明末清初曲论家李渔（1611—1680）在《闲情偶寄》中提出。李渔认为，戏曲创作的取意、填词应力求新颖，不能蹈袭前人，才可称得上“传奇”。这一术语的提出既是为了满足观众的审美心理，也体现了文艺创作必须创新求变的宗旨。
This term means that a writer should not fall into old patterns when writing a drama. He should not only avoid stereotypes of previous works but also resist attempts to do so in his own creations. The term was proposed by late Ming to early Qing drama theorist Li Yu (1611-1680) in his "Occasional Notes with Leisure Motions." In his view, dramatic creations should be original in both content and wording, and previous works should not be blindly followed. Only such works deserve to be called chuanqi (legendary story). This call to avoid stereotypes was made to encourage creativity and variety in artistic pursuit to delight the audience.
引例 Citation：
◎吾谓填词之难，莫难于洗涤窠臼，而填词之陋，亦莫陋于盗袭窠臼。（李渔《闲情偶寄·词曲部》）
我认为填写曲词的困难之处，莫过于洗净一切陈旧的套路，而填写曲词的鄙陋之处，也莫过于盗取袭用已有的套路。
The greatest difficulty in writing lyrics, I believe, lies in ridding them of stereotypes, and the thing not to do when writing such lyrics is to copy old stereotypes. (Li Yu: Occasional Notes with Leisure Motions)
脱窠臼 Avoid Stereotypes
指戏曲创作应摆脱陈旧的创作模式。所谓窠臼，不仅指以往作品的窠臼，还包括创作者个人的窠臼。由明末清初曲论家李渔（1611—1680）在《闲情偶寄》中提出。李渔认为，戏曲创作的取意、填词应力求新颖，不能蹈袭前人，才可称得上“传奇”。这一术语的提出既是为了满足观众的审美心理，也体现了文艺创作必须创新求变的宗旨。
This term means that a writer should not fall into old patterns when writing a drama. He should not only avoid stereotypes of previous works but also resist attempts to do so in his own creations. The term was proposed by late Ming to early Qing drama theorist Li Yu (1611-1680) in his "Occasional Notes with Leisure Motions." In his view, dramatic creations should be original in both content and wording, and previous works should not be blindly followed. Only such works deserve to be called chuanqi (legendary story). This call to avoid stereotypes was made to encourage creativity and variety in artistic pursuit to delight the audience.
引例 Citation：
◎吾谓填词之难，莫难于洗涤窠臼，而填词之陋，亦莫陋于盗袭窠臼。（李渔《闲情偶寄·词曲部》）
我认为填写曲词的困难之处，莫过于洗净一切陈旧的套路，而填写曲词的鄙陋之处，也莫过于盗取袭用已有的套路。
The greatest difficulty in writing lyrics, I believe, lies in ridding them of stereotypes, and the thing not to do when writing such lyrics is to copy old stereotypes. (Li Yu: Occasional Notes with Leisure Motions)
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