#赤新[超话]#冬,就这么冷峻的沉默着,不动声色地看着曾经喧闹的色彩凄惨的凋谢,听着曾经悠扬的鸟儿孤独地呻吟。任凭鲜花枯去,任凭河水冰封……
这个季节的花草或许凄凄惨惨戚戚,但冷淡的温度却也无法冻结我们的热情。
所以我们来了,带着能够融化冰雪的爱意写就的《Cedar forest》(雪松林),给你能够温暖整个冬日的爱,喜悦,还有希望。
见证吧!那些冰封下的暗流涌动,无言的默契与信任,伤痕累累的守护与坚持……这是独属于“银弹组”的沉默爱意。
刊物信息:
刊名:Cedar forest(雪松林)
原作:名侦探柯南
配对:赤井秀一x工藤新一
规格:A5小料本
字数:10w/176P
价格:50rmb
STAFF:
文手:Adriay、荷绿、橘冻、浅洛
Guest:栖酒
主催:降谷陵
封设:DANDELION
画手:柚菱
校对:降谷陵、Adriay、安室澈
排版:Adriay
宣图:Mort
印刷/代理:深夜食堂工作室
收录内容:
《单相思》
《银封往事》
《逃离天堂》
《Last of real ones》
《Lost myself》
预售时间:11.7-11.30
预售地址:由于淘宝店刚经历一波举报实在是再赌不起人性了,此次采用加群实名购买(需上传国家反诈中心app认证信息页)规避风险。QQ群号613627340。形式为定金+尾款。
购买须知:
禁止家长代购,禁止二翻盗印,禁止购买盗印。
大货发货在12月初,打样信息等会陆续在通知群与本工作室微博号上进行公布。
原则上只开预售不留余本,所以除了预售外暂无其他的获取途径。
期待与你相遇!
这个季节的花草或许凄凄惨惨戚戚,但冷淡的温度却也无法冻结我们的热情。
所以我们来了,带着能够融化冰雪的爱意写就的《Cedar forest》(雪松林),给你能够温暖整个冬日的爱,喜悦,还有希望。
见证吧!那些冰封下的暗流涌动,无言的默契与信任,伤痕累累的守护与坚持……这是独属于“银弹组”的沉默爱意。
刊物信息:
刊名:Cedar forest(雪松林)
原作:名侦探柯南
配对:赤井秀一x工藤新一
规格:A5小料本
字数:10w/176P
价格:50rmb
STAFF:
文手:Adriay、荷绿、橘冻、浅洛
Guest:栖酒
主催:降谷陵
封设:DANDELION
画手:柚菱
校对:降谷陵、Adriay、安室澈
排版:Adriay
宣图:Mort
印刷/代理:深夜食堂工作室
收录内容:
《单相思》
《银封往事》
《逃离天堂》
《Last of real ones》
《Lost myself》
预售时间:11.7-11.30
预售地址:由于淘宝店刚经历一波举报实在是再赌不起人性了,此次采用加群实名购买(需上传国家反诈中心app认证信息页)规避风险。QQ群号613627340。形式为定金+尾款。
购买须知:
禁止家长代购,禁止二翻盗印,禁止购买盗印。
大货发货在12月初,打样信息等会陆续在通知群与本工作室微博号上进行公布。
原则上只开预售不留余本,所以除了预售外暂无其他的获取途径。
期待与你相遇!
The Ones Who Didn't Walk Away from Omelas is a series of illustrations that borrows its title from Ursula K. Le Guin's short philosophical fiction, The Ones Who Walk Away from Omelas. The fiction depicts a utopian city, Omelas, that has flourishing prosperity and a blissful community with no kings, soldiers, priests, or slaves, but all of its state of happiness depends on the perpetual abuse of a single child.
My illustrations are my attempts to visualize Le Guin's narrative style of deliberately using a narrator to tell the story, instead of there being dialogue. Instead of adding credibility to the myth of Omelas, the constant voice of the narrator implies the lack of equality in human society and the challenge of finding an alternative system. While Le Guin gives a seemingly optimistic ending to the story with children who walks away from Omelas after knowing the child's misery, I chose to visualize the other perspective of the story: there are plenty of them who choose to stay as they take inequality for granted and exploited the child for their own happiness and reasoned that the hierarchy was just by laws and social norms.
My illustrations are my attempts to visualize Le Guin's narrative style of deliberately using a narrator to tell the story, instead of there being dialogue. Instead of adding credibility to the myth of Omelas, the constant voice of the narrator implies the lack of equality in human society and the challenge of finding an alternative system. While Le Guin gives a seemingly optimistic ending to the story with children who walks away from Omelas after knowing the child's misery, I chose to visualize the other perspective of the story: there are plenty of them who choose to stay as they take inequality for granted and exploited the child for their own happiness and reasoned that the hierarchy was just by laws and social norms.
2010−2022
最后几集一直没舍得看,总觉得看完了心里就空落落的。好像什么东西结束了一样,从第六季格伦死后,很多人弃剧。卡尔死了之后我甚至一度也想弃剧,还好朱迪思延续了卡尔的生命,到最后的瑞克的消失,只剩下了卡妈 玛姬和弩哥…这部剧的大结局好像也意味着我青春的散场…
We are the ones who live
See u
最后几集一直没舍得看,总觉得看完了心里就空落落的。好像什么东西结束了一样,从第六季格伦死后,很多人弃剧。卡尔死了之后我甚至一度也想弃剧,还好朱迪思延续了卡尔的生命,到最后的瑞克的消失,只剩下了卡妈 玛姬和弩哥…这部剧的大结局好像也意味着我青春的散场…
We are the ones who live
See u
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