昨天接方小美放学
又是去南虹
跟她讲玩一会儿去曼陀罗
说不要,玩一会儿去吃焗饭
老母亲灵机一动说要么不去妙妙乐了直接去吃焗饭吧
欣然允诺
自己干掉了一盘
陶土课
捏“泥巴”哪个小孩会不喜欢呀
方小美捏的是一头锤头鲨
派了海胆去保护它
想要看懂需要发挥一定想象力[嘻嘻]
回家说自己要看会儿ipad
我说你自己会开的,去吧
看了十分钟左右没用我提醒就去玩别的了
想到晚饭时候焗饭配的可乐她也就喝了一小口就不喝了
反而把柠檬水喝到见底跟我说“妈妈,empty”
家里的零食从来都摆在柜子里给她自己拿的
但也不会一直吃一直吃
再一次感叹不要小看小朋友自控的力量
自由带来的结果不见得就是无节制
给你鼓掌
又是去南虹
跟她讲玩一会儿去曼陀罗
说不要,玩一会儿去吃焗饭
老母亲灵机一动说要么不去妙妙乐了直接去吃焗饭吧
欣然允诺
自己干掉了一盘
陶土课
捏“泥巴”哪个小孩会不喜欢呀
方小美捏的是一头锤头鲨
派了海胆去保护它
想要看懂需要发挥一定想象力[嘻嘻]
回家说自己要看会儿ipad
我说你自己会开的,去吧
看了十分钟左右没用我提醒就去玩别的了
想到晚饭时候焗饭配的可乐她也就喝了一小口就不喝了
反而把柠檬水喝到见底跟我说“妈妈,empty”
家里的零食从来都摆在柜子里给她自己拿的
但也不会一直吃一直吃
再一次感叹不要小看小朋友自控的力量
自由带来的结果不见得就是无节制
给你鼓掌
纳达尔成为唯四的1000胜场网球选手[鲜花]
他在巴黎当地时间周三以4-6, 7-6 (5), 6-4战胜Feliciano Lopez,在空荡荡的体育场完成了这个壮举。目前的胜场排名属于:Jimmy Connors吉米康纳思 (1,274), Roger Federer罗杰费德勒 (1,242) 和 Ivan Lendl伊万伦德尔 (1,068)。
纳达尔的网球职业之旅始于2002年,那时他才15岁。他在取得千场胜利后说:
The real feeling, the personal feeling is completely different. It makes a big difference that the court is empty.
我个人的感觉全然不同,球场空空如野太不寻常了。
#秋冬不长膘# #网球# #纳达尔#
他在巴黎当地时间周三以4-6, 7-6 (5), 6-4战胜Feliciano Lopez,在空荡荡的体育场完成了这个壮举。目前的胜场排名属于:Jimmy Connors吉米康纳思 (1,274), Roger Federer罗杰费德勒 (1,242) 和 Ivan Lendl伊万伦德尔 (1,068)。
纳达尔的网球职业之旅始于2002年,那时他才15岁。他在取得千场胜利后说:
The real feeling, the personal feeling is completely different. It makes a big difference that the court is empty.
我个人的感觉全然不同,球场空空如野太不寻常了。
#秋冬不长膘# #网球# #纳达尔#
Empty techniques
Creation comes first, not technique, and that is why we are miserable all our lives. If you have something to say, you create your own style; but when you have nothing to say, even if you have a beautiful style, what you write is only the traditional routine, a repetition in new words of the same old thing.
I say the song is essential, the joy of singing is essential. When the joy is there, the technique can be built up from nothing; you will invent your own technique, you won’t have to study elocution or style. When you have, you see, and the very seeing of beauty is an art.
Creation comes first, not technique, and that is why we are miserable all our lives. If you have something to say, you create your own style; but when you have nothing to say, even if you have a beautiful style, what you write is only the traditional routine, a repetition in new words of the same old thing.
I say the song is essential, the joy of singing is essential. When the joy is there, the technique can be built up from nothing; you will invent your own technique, you won’t have to study elocution or style. When you have, you see, and the very seeing of beauty is an art.
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