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When Screens were Secondary: Mario Bellini's TCV 250 for Olivetti
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先飙句英语：#学英语# I like American beauty. My money is for my beauty. Meeting is predestination, and predestination is luck. Now I am used to playing with beautiful women heartlessly. This state is great! Maybe you will be very sad, but you should know that this is also a way for me to protect myself. Let those old people stay away from me!

最近读了卡姐写的小说，总觉得姐借虚构的情节和人物坦露了一些她本人或前同僚们在这间光怪陆离的流行文化工厂里的困厄和心声，读到这段的时候，总是会联想到☁️在ys频道里阐述他制作这张专辑契机的片段。

“其实在我制作专辑时公司有过担忧，因为是一些不太寻常的元素，我们公司从来没有做过这种音乐及这类概念。”
“我很想尝试，一直以来都是在多元文化碰撞中度过的……好像一直都很想去体味新鲜的事物，在某一刻突然觉得积攒了非常多那样的事物，那么现在我把它们呈现出来应该是对的。”

他在阐述这段的时候，表达自我那部分的意愿特别笃定，他也确实在这张专辑里做到了。可是，就像卡姐书里所说，“All K-pop executives, but especially DB, are known for being incredibly strict and set in their ways, accepting nothing less than a performer who will put the needs and wants of DB before anything else. Tradition over innovation. ”大概可以想像，在这种条件下制作发行风格主题如此破格的专辑难度有多巨大。

很开心他做到了。