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#维多利亚州国立美术馆# #澳大利亚旅游# #澳大利亚·National Gallery of Victoria (NGV)[地点]#

1 Installation view of Rel Pham’s Temple 2022-2023. Photography: Sean Fennessy
2 Installation view of Amalia Lindo’s Telltale: Economies of Time 2022–23. Photography: Sean Fennessy
3 Installation view of Atong Atem’s Maria of Mars 2022. Photography: Tom Ross
4 Installation view of Design Wall. Photography: Peter Bennetts
5 Installation view of Esther Stewart’s The space has been created for something to happen; 1:2 2019. Photography: Tom Ross
6 Installation view of N’arweet Dr Carolyn Briggs AM and Sarah Lynn Rees’s Gathering Space: Ngargee Djeembana 2021. Photography: Tom Ross
7 Installation view of Georgia Banks’ Data Baes 2022–23. Photography: Peter Bennetts
8 Installation view of Hannah Gartside’s Forest summons (for Lilith) 2022–23. Photography: Sean Fennessy
9 Installation view of J Davies’s work. Photography: Sean Fennessy
10 Installation view of Julia Ciccarone’s Revelation 2022. Photography: Sean Fennessy

【英译汉欣赏】In China it is man that is the beast of burden. “To be harassed by the wear and tear of life, and to pass rapidly through it without the possibility of arresting one's course, —is not this pitiful indeed? To labor without ceasing, and then, without living to enjoy the fruit, worn out, to depart, suddenly, one knows not whither, —is not that a just cause for grief?” So wrote the Chinese mystic.
在中国，人就是负重的牲口。 “被生活损耗、折磨，然后迅速走完生命历程，根本得不到休息——这不是很可怜吗？苦苦地干，没个完了，然后还没活到享受劳动果实的日子，就疲惫地突然逝去，也不知道会落个什么归宿——这能够不令人悲哀吗？” 那位中国的神秘主义者如是写道。
——毛姆《负重的牲口》，罗选民　译

In 1987 an estimated 800,000 people flocked to the the Golden Gate Bridge for its 50th anniversary. The weight of the large crowd caused the bridge to sag 7 feet, flattening its usual convex shape. Engineer Daniel E. Mohn reaffirmed the bridge was not overstressed as a result of Bridgewalk '87.