#一个人的莎士比亚#
让我想起了Ian McKellen生日巡演下半场的质感，莎翁的高光片段丝滑穿插在或真实或虚构的故事之间，正是其普世性的体现。巧的是两位白发老者都选用了All World's A Stage这段独白，一个用在戏的开场，一个用在戏的结尾。Headmaster Revel的一生何尝不是一部莎氏悲剧，a man beheld prisoner of his own mistakes，当poor Tom挣扎着说出“To be or not to be”独白的那一刻，就会发现莎翁对人类痛苦近乎可怕的深刻洞察，在几百年后依旧可以精准强烈地击中要害。

生命中的许多东西是可遇不可求，刻意强求的得不到，不曾期待的往往会不期而至。要拥有一颗平常心，不怨怒，不躁进，不强求，不悲观，不慌乱，不忘形，不以物喜，不以己悲，一切随缘，顺其自然。

Many things in life can not be met, deliberately forced not to get, not expected often will come unexpectedly. To have a normal heart, not angry, not impetuous, not demanding, not pessimistic, not flustered, not forgetful, not happy with things, not with their own sadness, everything goes with the flow, let nature take its course.

星期天我再次寻找，依然没有发现 / 时间，时间，会给我答案
Let's face it. I am a marked woman, but not everybody knows my name.
"Peaches" and "Brown Sugar," "Sapphire" and "Earth Mother," "Aunty," "Granny,'
God's "Holy Fool," a "Miss Ebony First," or "Black Woman at the Podium":
describe a locus of confounded identities, a meeting ground of investments and
privations in the national treasury of rhetorical wealth. My country needs me,
and if I were not here, I would have to be invented.
—Hortense Spillers “Mama’s baby, Papa’s maybe: An American Grammar Book”