#每日学点设计# #建筑vs#
01.Carlo Scarpa, Canova Museum and Cast Gallery, Possagno, Italy, 1955-1957
VS
Eduardo Chillida, Moñtana Tindaya Fuerteventura, Spain, 1994 (project)
02.Francesco Paolo Palazzotto, Restoration of Palazzo Alliata di Pietratagliata, Palermo, Italy, 1908-1915
VS
Carlo Scarpa, Canova Museum and Cast Gallery, Possagno, Italy, 1955 - 1957
03.Frank Gehry, Guggenheim Museum, Bilbao, Spain, 1997
VS
Alvaro Siza, Castanheira & Bastai Arquitectos Associados and Jun Sung Kim, Mimesis Museum, Paju, South Korea, 2009
04.Gaetano Minnucci, Casa G.I.L., Montesacro Roma, Italy, 1934-1937
VS
Alvaro Siza, Campo di Marte Social Housing, Giudecca Venice, Italy, 1986
05.Pietro Aschieri, Cesare Pascoletti, Gino Peressutti and Domenico Bernardini, Museum of Roman Civilization, EUR Roma, Italy, 1939-1941
VS
Alvaro Siza, Santa Maria Church, Marco de Canaveses, Portugal, 1996
06.Alvaro Siza, Casa de Chá da Boa Nova, Leça da Palmeira, Portugal, 1963
VS
Curzio Malaparte, Villa Malaparte, Capri, Italy, 1937-1943
07.Adalberto Libera, Horizontal Housing Units, Roma, Italy, 1950-1954
VS
Alvaro Siza, Sporting Complex, Gondomar, Portugal, 2001-2007
08.Gino Cancellotti, Eugenio Montuori, Luigi Piccinato, Alfredo Scalpelli, Church of Santissima Annunziata, Sabaudia, Italy, 1933-1934
VS
Alvaro Siza, Avelino Duarte House. Ovar, Portugal, 1981-1985
09.“Architectural Veduta”, Gemäldegalerie Berlin, Germany, 1495
VS
Ludwig Mies van der Rohe, Resor House project, Jackson Hole Wyoming , USA, 1937-1938
10.Frank Lloyd Wright, Frederick C. Robie House, Chicago Illinois, USA, 1909-1910
VS
Ludwig Mies Van Der Rohe, Farnsworth House, Plano, Illinois, USA, 1945-1951
11.David Chipperfield, James Simon Galerie, Museum Island Berlin, Germany, 1999–2018
VS
Michele Busiri-Vici, Italian pavilion World’s Fair, New York, USA, 1939-1940
12.Adalberto Libera, Palazzo dei Ricevimenti e dei Congressi EUR, Rome, Italy, 1938-1954
VS
Piero di Cosimo, The Building of a Palace, 1515–20
13.Mario Botta, Cantina Petra, Suvereto, Italy, 1999-2003
VS
Aldo van Eyck, Playgrounds, PREVI Lima, Peru, 1974
14.Kazuyo Sejima, House in a Plum Grove, Tokyo, Japan, 1999-2004
VS
Josef Albers, Study for Homage to the Square, 1965
15.Ludwig Mies van der Rohe, Friedrichstrasse Skyscraper Project, Berlin-Mitte, Germany, 1921
VS
SANAA, Factory Building Vitra Campus, Weil am Rhein, Germany, 2012
16.Alvar Aalto, Vase, iittala, 1936
VS
Le Corbusier, Unité d'Habitation, Marseille, France, 1947-1952
17.Adolf Loos, Chicago Tribune Competition, 1922
VS
Aldo Rossi and Gianni Braghieri, Cimitero di San Cataldo, Modena, Italy, 1971-1984
18.Josef Hoffmann, Austrian pavilion | Giardini della Biennale, Venice, Italy, 1934
VS
Herzog & de Meuron, Ricola Storage Building, Laufen, Switzerland, 1986-1987
Via: ins:conformi_
01.Carlo Scarpa, Canova Museum and Cast Gallery, Possagno, Italy, 1955-1957
VS
Eduardo Chillida, Moñtana Tindaya Fuerteventura, Spain, 1994 (project)
02.Francesco Paolo Palazzotto, Restoration of Palazzo Alliata di Pietratagliata, Palermo, Italy, 1908-1915
VS
Carlo Scarpa, Canova Museum and Cast Gallery, Possagno, Italy, 1955 - 1957
03.Frank Gehry, Guggenheim Museum, Bilbao, Spain, 1997
VS
Alvaro Siza, Castanheira & Bastai Arquitectos Associados and Jun Sung Kim, Mimesis Museum, Paju, South Korea, 2009
04.Gaetano Minnucci, Casa G.I.L., Montesacro Roma, Italy, 1934-1937
VS
Alvaro Siza, Campo di Marte Social Housing, Giudecca Venice, Italy, 1986
05.Pietro Aschieri, Cesare Pascoletti, Gino Peressutti and Domenico Bernardini, Museum of Roman Civilization, EUR Roma, Italy, 1939-1941
VS
Alvaro Siza, Santa Maria Church, Marco de Canaveses, Portugal, 1996
06.Alvaro Siza, Casa de Chá da Boa Nova, Leça da Palmeira, Portugal, 1963
VS
Curzio Malaparte, Villa Malaparte, Capri, Italy, 1937-1943
07.Adalberto Libera, Horizontal Housing Units, Roma, Italy, 1950-1954
VS
Alvaro Siza, Sporting Complex, Gondomar, Portugal, 2001-2007
08.Gino Cancellotti, Eugenio Montuori, Luigi Piccinato, Alfredo Scalpelli, Church of Santissima Annunziata, Sabaudia, Italy, 1933-1934
VS
Alvaro Siza, Avelino Duarte House. Ovar, Portugal, 1981-1985
09.“Architectural Veduta”, Gemäldegalerie Berlin, Germany, 1495
VS
Ludwig Mies van der Rohe, Resor House project, Jackson Hole Wyoming , USA, 1937-1938
10.Frank Lloyd Wright, Frederick C. Robie House, Chicago Illinois, USA, 1909-1910
VS
Ludwig Mies Van Der Rohe, Farnsworth House, Plano, Illinois, USA, 1945-1951
11.David Chipperfield, James Simon Galerie, Museum Island Berlin, Germany, 1999–2018
VS
Michele Busiri-Vici, Italian pavilion World’s Fair, New York, USA, 1939-1940
12.Adalberto Libera, Palazzo dei Ricevimenti e dei Congressi EUR, Rome, Italy, 1938-1954
VS
Piero di Cosimo, The Building of a Palace, 1515–20
13.Mario Botta, Cantina Petra, Suvereto, Italy, 1999-2003
VS
Aldo van Eyck, Playgrounds, PREVI Lima, Peru, 1974
14.Kazuyo Sejima, House in a Plum Grove, Tokyo, Japan, 1999-2004
VS
Josef Albers, Study for Homage to the Square, 1965
15.Ludwig Mies van der Rohe, Friedrichstrasse Skyscraper Project, Berlin-Mitte, Germany, 1921
VS
SANAA, Factory Building Vitra Campus, Weil am Rhein, Germany, 2012
16.Alvar Aalto, Vase, iittala, 1936
VS
Le Corbusier, Unité d'Habitation, Marseille, France, 1947-1952
17.Adolf Loos, Chicago Tribune Competition, 1922
VS
Aldo Rossi and Gianni Braghieri, Cimitero di San Cataldo, Modena, Italy, 1971-1984
18.Josef Hoffmann, Austrian pavilion | Giardini della Biennale, Venice, Italy, 1934
VS
Herzog & de Meuron, Ricola Storage Building, Laufen, Switzerland, 1986-1987
Via: ins:conformi_
#Heize[超话]# ✨ #LyricistHeize#【歌词中字】
NIve - 2easy (ft. Heize)
词：Heize/Jisoo Park
曲：Blair Taylor/Heize/Hyuk Shin/Jisoo Park/Jun Lee/Marco Reyes
"这里没有了你 就没有任何意义"
"现在要更自由地生活 不要后悔啊 我们"
「翻译by Tyla 制图by 偶尔来帮忙的青草」
「禁二传二改 转载请注明Heize吧」
NIve - 2easy (ft. Heize)
词：Heize/Jisoo Park
曲：Blair Taylor/Heize/Hyuk Shin/Jisoo Park/Jun Lee/Marco Reyes
"这里没有了你 就没有任何意义"
"现在要更自由地生活 不要后悔啊 我们"
「翻译by Tyla 制图by 偶尔来帮忙的青草」
「禁二传二改 转载请注明Heize吧」
【PSG官网】【赛前发布会】图赫尔：团结一致
[波尔多]
“我期待他们的阵型是4-4-2，由本·阿尔法担任第二前锋或者10号，这取决于比赛的阶段。在对波尔多的比赛中很难创造机会。我希望我们能够掌握主动权，我们要积极主动。波尔多就像一个路障一般，他们很有纪律。我想这将是一场精彩的比赛。当然我们的对手也更愿意在两场欧冠比赛之间来对阵我们。这是对抗我们的好时机。这对我们来说是一个挑战，就我们的攻击性而言，我们不能输。这是一场与摩纳哥的不同的比赛，那场比赛发生在国际比赛日之后。我们在周二比赛，下一场比赛是在周三。这给了我们专注的时间。”
[批评]
“对我来说，很明显，我能理解批评，但我们有不同的立场。就我个人而言，我和我的团队在一起，我和他们一起战斗，我和我的团队一起闯关、决斗和前进。我们是团结的。我可以理解和接受批评，但也需要接受我们会有不同的感受。我们努力工作。我有一点印象，记者们想让我相信他们的观点是正确的。但是在球场上，或者在球场旁，这种感觉完全不同。但这不是一个严重的问题。”
[维拉蒂]
“Marco可以改变一切。他在对莱比锡的几分钟内就证明了这一点。他的表现非同寻常。他展示了他的能力，这对比赛产生了很大的影响。我们在比赛的那天早上决定让他坐在替补席上，因为他只和球队进行了一半的训练。我很高兴他没有再遇到麻烦。他将在周五训练，也许他会在对波尔多的比赛中踢上半场。他给球队带来了信心，他很有实力。”
#巴黎圣日耳曼# #icicestparis# ❤️
[波尔多]
“我期待他们的阵型是4-4-2，由本·阿尔法担任第二前锋或者10号，这取决于比赛的阶段。在对波尔多的比赛中很难创造机会。我希望我们能够掌握主动权，我们要积极主动。波尔多就像一个路障一般，他们很有纪律。我想这将是一场精彩的比赛。当然我们的对手也更愿意在两场欧冠比赛之间来对阵我们。这是对抗我们的好时机。这对我们来说是一个挑战，就我们的攻击性而言，我们不能输。这是一场与摩纳哥的不同的比赛，那场比赛发生在国际比赛日之后。我们在周二比赛，下一场比赛是在周三。这给了我们专注的时间。”
[批评]
“对我来说，很明显，我能理解批评，但我们有不同的立场。就我个人而言，我和我的团队在一起，我和他们一起战斗，我和我的团队一起闯关、决斗和前进。我们是团结的。我可以理解和接受批评，但也需要接受我们会有不同的感受。我们努力工作。我有一点印象，记者们想让我相信他们的观点是正确的。但是在球场上，或者在球场旁，这种感觉完全不同。但这不是一个严重的问题。”
[维拉蒂]
“Marco可以改变一切。他在对莱比锡的几分钟内就证明了这一点。他的表现非同寻常。他展示了他的能力，这对比赛产生了很大的影响。我们在比赛的那天早上决定让他坐在替补席上，因为他只和球队进行了一半的训练。我很高兴他没有再遇到麻烦。他将在周五训练，也许他会在对波尔多的比赛中踢上半场。他给球队带来了信心，他很有实力。”
#巴黎圣日耳曼# #icicestparis# ❤️
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