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段永平的持仓被人扒出来了。
太成功、太有钱了。国内还有几百亿的茅台股。
身价妥妥地超过一千亿人民币。
在2023年第四季度末，该机构总共持有九家公司，总市值144.5亿美元，前四大持仓为114.98亿美元苹果、16.92亿美元伯克希尔哈撒韦、7.57亿美元谷歌、3.84亿美元的阿里巴巴，5到9位为迪士尼、西方石油、摩德纳、欢聚时代和美国银行。相比上一季度，新买入西方石油，增持阿里巴巴、摩德纳、美国银行，减持了苹果、伯克希尔、迪士尼和欢聚时代，清仓了拼多多。
继续搜索该机构的名称，可以确定H&H Internat- ional Investment,LLC是段永平先生控制的投资公司
H&H International Investment, LLC is a large advisory firm based in Menlo Park. It manages $920.05 million of regulatory assets for 3 client accounts. It has been registered with the SEC as an adviser since 2018 and has operated in the jurisdiction of California.
H&H International Investment provides portfolio management for individuals and small businesses. It doesn't provide financial planning
services to its clients. On top of advisory services, the firm doesn't engage in other business activities.
The company employs 2 people that are either part- or full-time employees.50 percent of the employees work as investment advisers or researchers. Only one employee is registered as an investment adviser representative with the state securities authorities.
There isn't anyone with the role of looking for and bringing in new clients on behalf of the firm. The firm doesn't compensate employees in addition to the salary for bringing in new clients. Employees don't receive compensation from other entities for client referrals.#基金[超话]##财经##股票##投资#
段永平的持仓被人扒出来了。
太成功、太有钱了。国内还有几百亿的茅台股。
身价妥妥地超过一千亿人民币。
在2023年第四季度末，该机构总共持有九家公司，总市值144.5亿美元，前四大持仓为114.98亿美元苹果、16.92亿美元伯克希尔哈撒韦、7.57亿美元谷歌、3.84亿美元的阿里巴巴，5到9位为迪士尼、西方石油、摩德纳、欢聚时代和美国银行。相比上一季度，新买入西方石油，增持阿里巴巴、摩德纳、美国银行，减持了苹果、伯克希尔、迪士尼和欢聚时代，清仓了拼多多。
继续搜索该机构的名称，可以确定H&H Internat- ional Investment,LLC是段永平先生控制的投资公司
H&H International Investment, LLC is a large advisory firm based in Menlo Park. It manages $920.05 million of regulatory assets for 3 client accounts. It has been registered with the SEC as an adviser since 2018 and has operated in the jurisdiction of California.
H&H International Investment provides portfolio management for individuals and small businesses. It doesn't provide financial planning
services to its clients. On top of advisory services, the firm doesn't engage in other business activities.
The company employs 2 people that are either part- or full-time employees.50 percent of the employees work as investment advisers or researchers. Only one employee is registered as an investment adviser representative with the state securities authorities.
There isn't anyone with the role of looking for and bringing in new clients on behalf of the firm. The firm doesn't compensate employees in addition to the salary for bringing in new clients. Employees don't receive compensation from other entities for client referrals.#基金[超话]##财经##股票##投资#
在看一册关于Al Pacino电影作品和角色的评论，作者自己书写的评论部分……几乎一文不值。但一些资料汇辑尚可。翻到Scarface的章节，引语是Al Pacino的一段话：
“Man's reach should exceed his grasp, or what's a heaven for? That's a great expression, and I think that's Tony Montana.”
真是闪闪发光。Al Pacino对他诠释的角色们有那么多的爱、同情，和诗意。
后来因为实在不太能忍书里的作者评论，在网上翻查资料，恰巧看到了Al Pacino那段话的出处（图二三），以及更完整的原话：
"When I saw it for the first time -- and I don't mean mine, I mean Paul Muni's from [the] 1930s -- I had that feeling about it too," he said. "Anything when the hero is just reaching for something."
"Man's reach should exceed his grasp, or what's a heaven for? That's a great expression, and I think that's Tony Montana," Pacino poetically explained. "Reaching for something he can't get but he keeps going. There is an element of hope in it, believe it or not."
真正毁灭Tony Montana的，也并非物质的欲望、或者疯狂失控的野心——世人眼里或许如此——而是这种追寻，对禁锢的拼死挣扎。
(“Man’s reach should exceed his grasp, or what’s a heaven for?”一句，出自英国诗人Robert Browning的诗作。）
专业影评人，从Roger Ebert到这部书的作者，对于Scarface这部电影和角色的隔膜和误读程度，着实令人费解。Al Pacino曾说自己是 an actor from the streets，而早年评论界（如NYT的专栏）也很喜欢用street smart来形容Al Pacino所塑造的舞台角色。我想，或许，Al Pacino作为演员的这一部分的宝贵特质与内核，恰恰是许多专业的戏剧与电影评论者始终未能完全appreciate的。
“Man's reach should exceed his grasp, or what's a heaven for? That's a great expression, and I think that's Tony Montana.”
真是闪闪发光。Al Pacino对他诠释的角色们有那么多的爱、同情，和诗意。
后来因为实在不太能忍书里的作者评论，在网上翻查资料，恰巧看到了Al Pacino那段话的出处（图二三），以及更完整的原话：
"When I saw it for the first time -- and I don't mean mine, I mean Paul Muni's from [the] 1930s -- I had that feeling about it too," he said. "Anything when the hero is just reaching for something."
"Man's reach should exceed his grasp, or what's a heaven for? That's a great expression, and I think that's Tony Montana," Pacino poetically explained. "Reaching for something he can't get but he keeps going. There is an element of hope in it, believe it or not."
真正毁灭Tony Montana的，也并非物质的欲望、或者疯狂失控的野心——世人眼里或许如此——而是这种追寻，对禁锢的拼死挣扎。
(“Man’s reach should exceed his grasp, or what’s a heaven for?”一句，出自英国诗人Robert Browning的诗作。）
专业影评人，从Roger Ebert到这部书的作者，对于Scarface这部电影和角色的隔膜和误读程度，着实令人费解。Al Pacino曾说自己是 an actor from the streets，而早年评论界（如NYT的专栏）也很喜欢用street smart来形容Al Pacino所塑造的舞台角色。我想，或许，Al Pacino作为演员的这一部分的宝贵特质与内核，恰恰是许多专业的戏剧与电影评论者始终未能完全appreciate的。
这是Ai根据一段文字显示岀来的视频，朋友们可以根据这一视频写一段文字，看看你的文字描述和Al所根据的范本有何不同Prompt: Animated scene features a close-up of a short fluffy monster kneeling beside a melting red candle. The art style is 3D and realistic, with a focus on lighting and texture. The mood of the painting is one of wonder and curiosity, as the monster gazes at the flame with wide eyes and open mouth. Its pose and expression convey a sense of innocence and playfulness, as if it is exploring the world around it for the first time. The use of warm colors and dramatic lighting further enhances the cozy atmosphere of the image.
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