莲拍类人猿行动的时候跟家人住，和特工寄宿在乔装家庭里的背景有点像。
赞美剧组细致的历史布景。（cue到盗梦空间那杯冰水，糯的神奇装置）
Sean从材料整理到亲身拍摄都做了很扎实的工作，地下室那段俨然也是战友的一员。
曾经在布拉格酒馆里浪掷青春，为了拍严肃题材必须放下实际生活的经历，从头体验jozef的旅程。
最后说差旅愿意选择可以自炊的公寓，当然，有热水WiFi的话已经足够。
What was the best movie prop you’ve gotten to take home?
On Anthropoid, actually, I took home one of the beautiful old Persian rugs that was in the apartment set. Maybe it’s Moroccan . . . Whatever it is, it’s lovely.
You’ve said that Sean Ellis was the most visually specific director you’ve ever worked with. Did that help you as an actor?
It was very stimulating, really, because he was shooting with a handheld camera over his shoulder, so he would talk to you and then go back in. Everything that Jamie and I went though, Sean was right there behind us, even for the battle at the end of the movie in the crypt. There was a sense that we were all in it together.
The family apartment where you and Jamie Dornan are hidden in the movie was replicated, down to the hallway tile, from the real location. Sean pays a huge amount of attention to detail. He’s like a polymath. He wrote the movie, directed it, shot it, and was all over everything from costume to hair to makeup. You feel safe as an actor. And, as an actor, if you can’t feel safe, you can’t make a fool of yourself.
The way they re-created the interior of the cathedral is unbelievable. Had you ever been on a set that was remade so perfectly?
No. We went to the real church, too, and you could see the bullet holes and where the grenades went off. And the re-creation, to scale, at Barrandov Studios was breathtaking. It was magnificent, and I’ve never seen that done before—generally, a crew might rebuild a little bit here and a little bit there, but to feel the scale of it was incredible.
Aside from this film, what was the best-designed set you’ve ever worked on?
I remember my first day on the set of Inception with Christopher Nolan. There was a scene with Leonardo DiCaprio and we’re at a bar, and I don’t know that I’m dreaming, but I’m dreaming, and reality is altered. We have two glasses of water, and there’s a shot where the water tilts. In order to get that shot, he tilted the whole set. He built the set on hydraulics and tilted it when we did the scene. So I think that’s one of the most impressive. He’s a very unique filmmaker in that he doesn’t rely on CGI.
Did you get any time to enjoy Prague?
I’d been there once before in my foolish, misspent youth and drank a lot of beer. But when you’re working on a film as immersive as this, you kind of have to cancel reality. My family came over and they enjoyed it, but for me it was pretty much work exclusively.
When you travel for work, do you mostly stay in hotels?
I generally prefer apartments because you can cook for yourself. But as long as it’s clean and there’s hot water and Wi-Fi, I’m happy.
https://t.cn/A6TUWzEX
赞美剧组细致的历史布景。（cue到盗梦空间那杯冰水，糯的神奇装置）
Sean从材料整理到亲身拍摄都做了很扎实的工作，地下室那段俨然也是战友的一员。
曾经在布拉格酒馆里浪掷青春，为了拍严肃题材必须放下实际生活的经历，从头体验jozef的旅程。
最后说差旅愿意选择可以自炊的公寓，当然，有热水WiFi的话已经足够。
What was the best movie prop you’ve gotten to take home?
On Anthropoid, actually, I took home one of the beautiful old Persian rugs that was in the apartment set. Maybe it’s Moroccan . . . Whatever it is, it’s lovely.
You’ve said that Sean Ellis was the most visually specific director you’ve ever worked with. Did that help you as an actor?
It was very stimulating, really, because he was shooting with a handheld camera over his shoulder, so he would talk to you and then go back in. Everything that Jamie and I went though, Sean was right there behind us, even for the battle at the end of the movie in the crypt. There was a sense that we were all in it together.
The family apartment where you and Jamie Dornan are hidden in the movie was replicated, down to the hallway tile, from the real location. Sean pays a huge amount of attention to detail. He’s like a polymath. He wrote the movie, directed it, shot it, and was all over everything from costume to hair to makeup. You feel safe as an actor. And, as an actor, if you can’t feel safe, you can’t make a fool of yourself.
The way they re-created the interior of the cathedral is unbelievable. Had you ever been on a set that was remade so perfectly?
No. We went to the real church, too, and you could see the bullet holes and where the grenades went off. And the re-creation, to scale, at Barrandov Studios was breathtaking. It was magnificent, and I’ve never seen that done before—generally, a crew might rebuild a little bit here and a little bit there, but to feel the scale of it was incredible.
Aside from this film, what was the best-designed set you’ve ever worked on?
I remember my first day on the set of Inception with Christopher Nolan. There was a scene with Leonardo DiCaprio and we’re at a bar, and I don’t know that I’m dreaming, but I’m dreaming, and reality is altered. We have two glasses of water, and there’s a shot where the water tilts. In order to get that shot, he tilted the whole set. He built the set on hydraulics and tilted it when we did the scene. So I think that’s one of the most impressive. He’s a very unique filmmaker in that he doesn’t rely on CGI.
Did you get any time to enjoy Prague?
I’d been there once before in my foolish, misspent youth and drank a lot of beer. But when you’re working on a film as immersive as this, you kind of have to cancel reality. My family came over and they enjoyed it, but for me it was pretty much work exclusively.
When you travel for work, do you mostly stay in hotels?
I generally prefer apartments because you can cook for yourself. But as long as it’s clean and there’s hot water and Wi-Fi, I’m happy.
https://t.cn/A6TUWzEX
『恭迎｜二月十五 释迦牟尼佛涅槃日』https://mp.weixin.qq.com/s?__biz=MjM5Mjc2OTU3Mw==&mid=2653973610&idx=1&sn=4da2dda633b6f594d56b86d1dd3ef956&chksm=bce268f480c88e09ffaca58317c206ce068d70b49cdd71c703a4ec11e6261c51e0a24b3d2220&xtrack=1&scene=90&subscene=93&sessionid=1711260529&flutter_pos=1&clicktime=1711260570&enterid=1711260570&ascene=56&fasttmpl_type=0&fasttmpl_fullversion=7129723-zh_CN-zip&fasttmpl_flag=0&realreporttime=1711260570309&devicetype=android-29&version=28002151&nettype=WIFI&abtest_cookie=AAACAA%3D%3D&lang=zh_CN&session_us=gh_03f1020814c7&countrycode=CN&exportkey=n_ChQIAhIQX%2B0IdhtUXvUGoBsZ6bEUmRLrAQIE97dBBAEAAAAAAKu5DSmNWkEAAAAOpnltbLcz9gKNyK89dVj03CLu5C1CxyuzORilsW9TU1JXelj3AYl89jzxLI%2FQu1LP%2Fi4is3UTNacnJmV5jOJvu3xE87r1kuY8aBb1t7NpoArRMb25ljW8%2FZJI8jWAnJMicByE3YB1JUaOgj%2BiVWzYDv%2BaXsxh4thFWZzIuoSj2McPqNYMbWNLkaqAvkGVPgRO1ANk8Zll7PMtukrbMRIR4bZ5dN9ZY6LE5md3GuN%2F0q5s5%2BavvPlkUbHK1ezJ2vHkZiYMMVGEOT5ZHgOLJXuaYxirY%2FE%3D&pass_ticket=hoOVu9X8BxIK8Jy5HGHqcs2QPJk6vdsrp07TukGjwSywh9s53J3jOBSA%2FbSO5NTqLI9M9If0WPbPRDN6L4GGQQ%3D%3D&wx_header=3
#上海生活头条[超话]# 217 THE WOLF AND THE HORSE 狼和马
A Wolf on his rambles came to a fi eld of oats, but, not being able to eat them, he was passing on his way when a Horse came along. “Look,”said the Wolf, “here’s a fine field of oats. For your sake I have left it untouched, and I shall greatly enjoy the sound of your teeth munching the ripe grain.” But the Horse replied, “If wolves could eat oats, my fine friend, you would hardly have indulged your ears at the cost of your belly.”
There is no virtue in giving to others what is useless to oneself.
——《伊索寓言》汉译：邱宏译
A Wolf on his rambles came to a fi eld of oats, but, not being able to eat them, he was passing on his way when a Horse came along. “Look,”said the Wolf, “here’s a fine field of oats. For your sake I have left it untouched, and I shall greatly enjoy the sound of your teeth munching the ripe grain.” But the Horse replied, “If wolves could eat oats, my fine friend, you would hardly have indulged your ears at the cost of your belly.”
There is no virtue in giving to others what is useless to oneself.
——《伊索寓言》汉译：邱宏译
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