#世界计划多彩舞台[超话]# 有️人吃口3.5和新细闪[幹飯人]
tag：prsk pjsk projectsekai 世界计划 v家 VOCALOID 术力口 c社 CRYPTON 本家 vs Miku 葱 meiko 大姐 咩口 kaito 大哥 巡音流歌 luka 镜音双子 镜音连 len 镜音铃 rin leo need ln 星乃一歌 天马咲希 日野森志步 望月穗波 ick saki shiho hnm meiko luka more more jump mmj 花里实乃理 桐谷遥 桃井爱莉 日野森雫 mnr hrk airi szk rin kaito vivid bad squad vbs 小豆泽心羽 白石杏 东云彰人 青柳冬弥 len khn an akt ワンダーランズ×ショウタイム ws 天马司 凤笑梦 草薙宁宁 神代类 tks emu nene rui 25時、ナイトコードで。25h 25时 宵崎奏 朝比奈真冬 东云绘名 晓山瑞希 knd mfy ena mzk 立牌 吧唧 色纸 纸片 pld 烤
tag：prsk pjsk projectsekai 世界计划 v家 VOCALOID 术力口 c社 CRYPTON 本家 vs Miku 葱 meiko 大姐 咩口 kaito 大哥 巡音流歌 luka 镜音双子 镜音连 len 镜音铃 rin leo need ln 星乃一歌 天马咲希 日野森志步 望月穗波 ick saki shiho hnm meiko luka more more jump mmj 花里实乃理 桐谷遥 桃井爱莉 日野森雫 mnr hrk airi szk rin kaito vivid bad squad vbs 小豆泽心羽 白石杏 东云彰人 青柳冬弥 len khn an akt ワンダーランズ×ショウタイム ws 天马司 凤笑梦 草薙宁宁 神代类 tks emu nene rui 25時、ナイトコードで。25h 25时 宵崎奏 朝比奈真冬 东云绘名 晓山瑞希 knd mfy ena mzk 立牌 吧唧 色纸 纸片 pld 烤
#言而履艺术国际[超话]# 他们记录了不同历史时期建筑形态：房、楼、台、阁、宫、殿、 室、处、所、城、堂等，同时铭刻了图腾建筑轮廓的演变:从具象的房屋到概念的城市， 从人间的建筑到天堂的圣景，就是残存的一部城市、乡村、建筑、宗教、艺术、民俗等古代地下栩栩如生的城市社会历史文化史。”
They serve as records of architectural forms from different historical periods: of houses, buildings, platforms, pavilions, palaces, temples, chambers, offices, places, cities, and halls. At the same time, they inscribe the evolution of totemic architecture: from the figurative house to the conceptual city, and from the earthly architecture to the heavenly sanctuary. We discover a vivid history of ancient underground society with its urban culture, along with the countryside, architecture, religion, art, and folklore. "
——引自《命• 运• 脉： 田园+城市+建筑的过去、现在与未来》
Excerpt from Life • Fate • Destiny
The past, present and future of the countryside + city + architecture
插图信息：
朱成，《无题》，装置绘画
尺寸可变，2022年。
Zhu Cheng, Untitled,
Installation, Dry Ink Painting,
Dimensions Variable, 2022.
#Geography of Feeling##感知地理##四川成都##亚洲##中国##麓湖a4美术馆##朱成##ZhuCheng#
They serve as records of architectural forms from different historical periods: of houses, buildings, platforms, pavilions, palaces, temples, chambers, offices, places, cities, and halls. At the same time, they inscribe the evolution of totemic architecture: from the figurative house to the conceptual city, and from the earthly architecture to the heavenly sanctuary. We discover a vivid history of ancient underground society with its urban culture, along with the countryside, architecture, religion, art, and folklore. "
——引自《命• 运• 脉： 田园+城市+建筑的过去、现在与未来》
Excerpt from Life • Fate • Destiny
The past, present and future of the countryside + city + architecture
插图信息：
朱成，《无题》，装置绘画
尺寸可变，2022年。
Zhu Cheng, Untitled,
Installation, Dry Ink Painting,
Dimensions Variable, 2022.
#Geography of Feeling##感知地理##四川成都##亚洲##中国##麓湖a4美术馆##朱成##ZhuCheng#
【 一夜情 】
Riding on the note of the previous post:
Mong Kok （旺角） is one of my favourite neighbourhoods in Hong Kong. Yes, it’s chaotic and crowded, perhaps a little gritty if you wander into one of the narrow dimly lit streets, but it’s always throbbing with energy.
Can’t help but to share how Chris Thrall, an English author, beautifully summed up his memory of Mong Kok when he was there in 1995.
“… it wasn’t the people that were chaotic – they moved surprisingly slowly – it was the surroundings.
The sights, sounds and smells of Cantonese culture and exchamge bombarded my senses as elaborate facades sold everything from Rolex watches to dried tiger penis, steam poured out of noodle shops and a cacophony of traffic noise complemented the vivid clashing colours of signs anchored to the buildings’ lower walls.
Worded in English, Chinese or both, they fought for line of sight to announce the servies on offer as well as the psychology of the mindset behind them. ‘Happy Lucky Company’ announced one optimist. ‘Golden Fortune Company, another. ‘Happy Lucky Golden Fortune Company’ could easily have stood as the next.“
- “Eating Smoke” , Chris Thrall
旺角小巷特别服务 (2011).
Riding on the note of the previous post:
Mong Kok （旺角） is one of my favourite neighbourhoods in Hong Kong. Yes, it’s chaotic and crowded, perhaps a little gritty if you wander into one of the narrow dimly lit streets, but it’s always throbbing with energy.
Can’t help but to share how Chris Thrall, an English author, beautifully summed up his memory of Mong Kok when he was there in 1995.
“… it wasn’t the people that were chaotic – they moved surprisingly slowly – it was the surroundings.
The sights, sounds and smells of Cantonese culture and exchamge bombarded my senses as elaborate facades sold everything from Rolex watches to dried tiger penis, steam poured out of noodle shops and a cacophony of traffic noise complemented the vivid clashing colours of signs anchored to the buildings’ lower walls.
Worded in English, Chinese or both, they fought for line of sight to announce the servies on offer as well as the psychology of the mindset behind them. ‘Happy Lucky Company’ announced one optimist. ‘Golden Fortune Company, another. ‘Happy Lucky Golden Fortune Company’ could easily have stood as the next.“
- “Eating Smoke” , Chris Thrall
旺角小巷特别服务 (2011).
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