187 Its store of snow is the hill's own burden, its outpouring of streams is borne by all the world.
188 Listen to the prayer of the forest for its freedom in flowers.
189 Let your love see me even through the barrier of nearness.
190 The spirit of work in creation is there to carry and help the spirit of play.
191 To carry the burden of the instrument, count the cost of its material, and never to know that it is for music, is the tragedy of deaf life.
192 Faith is the bird that feels the light and sings when the dawn is still dark.
193 I bring to thee, night, my day's empty cup, to be cleansed with thy cool darkness for a new morning's festival.
194 The mountain fir, in its rustling, modulates the memory of its fights with the storm into a hymn of peace.
195 God honoured me with his fight when I was rebellious, He ignored me when I was languid.
196 The sectarian thinks that he has the sea ladled into his private pond.

"Cherry Blossoms of Tateho-mura" [立保村の櫻, Tateho-mura no sakura] by Kyōto born Tokuriki Tomikichirō (徳力富吉郎, 1902 - 1999), a first edition woodblock print from his wonderful "Thirty-six views of Mt Fuji" (富士三十六景の内, Fujisanjūrokkei no uchi) series, published by Uchida of Tokyo, ca. 1939-41.
Source: Jaded in Japan

Gong Quanzhen, 98, has been a member of the Communist Party of China (CPC) since 1952. The widow of Gan Zuchang (1905-1986, the late major general), she has devoted herself to education in rural areas. Since her retirement, she has continued to help people in need, and she has cared about the healthy growth of teenagers. As such, Gong has demonstrated the true quality of a CPC member.
https://t.cn/A6t3e1tU