对于中风，预防远远重于治疗。我们要重视中风预防的“五大基石”：合理膳食、适量运动、戒烟限酒、心理平衡、治疗慢病。只有这样才能真正远离中风.https://mp.weixin.qq.com/s?__biz=MzA3MDYwOTA3Nw==&mid=2651649850&idx=5&sn=07163ca38c8b9a57235a435aa940c628&chksm=84c266e0b3b5eff67531240def7c9481e563c01fff93fdfaee8ad842fd944f8adf907e4fee18&token=1281969877&lang=zh_CN#rd
战国· 蛇座凤鸟鼓架（局部二）https://t.cn/A6MqMiHE
Cranes and Serpents
蛇座凤鸟鼓架
475–221 BC
China, reportedly from Hunan province, Changsha, Warring States period (475-221 BC), State of Chu
(c. 1046-223 BC)
Lacquered wood with polychromy
Overall: 132.1 x 124.5 cm (52 x 49 in.)
Purchase from the J. H. Wade Fund 1938.9
The drum stand was discovered in the mid-1930s near Changsha, Hunan province, by crews digging a route for railroad tracks.
A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements.
This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb.
The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.
Collection: China - Zhou Dynasty
Department: Chinese Art
Type of artwork: Sculpture
Medium: Lacquered wood with polychromy
Credit line: Purchase from the J. H. Wade Fund
Cranes and Serpents
蛇座凤鸟鼓架
475–221 BC
China, reportedly from Hunan province, Changsha, Warring States period (475-221 BC), State of Chu
(c. 1046-223 BC)
Lacquered wood with polychromy
Overall: 132.1 x 124.5 cm (52 x 49 in.)
Purchase from the J. H. Wade Fund 1938.9
The drum stand was discovered in the mid-1930s near Changsha, Hunan province, by crews digging a route for railroad tracks.
A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements.
This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb.
The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.
Collection: China - Zhou Dynasty
Department: Chinese Art
Type of artwork: Sculpture
Medium: Lacquered wood with polychromy
Credit line: Purchase from the J. H. Wade Fund
好温柔的小姐姐[awsl]
Harpist
mid-700s
North China, Tang dynasty
(618-907)
Glazed earthenware
Overall: 32.1 cm (12 5/8 in.)
Edward L. Whittemore Fund 1931.450
Collection: China - Tang Dynasty
Department: Chinese Art
Type of artwork: Sculpture
Medium: Glazed earthenware
Credit line: Edward L. Whittemore Fund
Harpist
mid-700s
North China, Tang dynasty
(618-907)
Glazed earthenware
Overall: 32.1 cm (12 5/8 in.)
Edward L. Whittemore Fund 1931.450
Collection: China - Tang Dynasty
Department: Chinese Art
Type of artwork: Sculpture
Medium: Glazed earthenware
Credit line: Edward L. Whittemore Fund
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