【丹麦画家收钱后给博物馆寄去两幅空画 取名“拿钱就跑”】丹麦一博物馆近日支付给一位画家相当于8.4万美元的丹麦克朗以支持其创作，但令该博物馆没想到的是，该画家给他们寄过来的“作品”却是两幅空白画布。
据北京环球网援引NPR当地时间29日报道，收到钱款的丹麦画家延斯·哈宁则表示，这些空白画布构成了一件新的艺术作品——名为“拿钱就跑”。哈宁表示，这是他对报酬低的看法，而不是盗窃。NPR援引丹麦国家广播公司DR消息报道称，哈宁说，“这是一种违约行为，而违约行为是作品的一部分”。
丹麦奥尔堡KUNSTEN现代艺术博物馆对这一解释并不满意，但还是将这两幅空白的画布作为其名为“Work It Out”的展览的一部分展出，该展览探讨了人们与工作的关系。
“我鼓励其他和我一样工作条件恶劣的人也这样做，”哈宁在接受广播节目采访时说如果有人在某个糟糕的工作岗位上拿不到钱，还被要求付钱工作，那他应该拿着钱跑路。
报道提到，该博物馆目前还没有采取法律行动，其负责人安德森说：“这不是我们在合同中约定的内容，但我们从哈宁那里得到了新的和有趣的艺术。”目前，双方仍在商定哈宁归还相当于8.4万美元的丹麦克朗的具体日期。#侨报新闻速递# https://t.cn/A6Mf5Fg4
据北京环球网援引NPR当地时间29日报道，收到钱款的丹麦画家延斯·哈宁则表示，这些空白画布构成了一件新的艺术作品——名为“拿钱就跑”。哈宁表示，这是他对报酬低的看法，而不是盗窃。NPR援引丹麦国家广播公司DR消息报道称，哈宁说，“这是一种违约行为，而违约行为是作品的一部分”。
丹麦奥尔堡KUNSTEN现代艺术博物馆对这一解释并不满意，但还是将这两幅空白的画布作为其名为“Work It Out”的展览的一部分展出，该展览探讨了人们与工作的关系。
“我鼓励其他和我一样工作条件恶劣的人也这样做，”哈宁在接受广播节目采访时说如果有人在某个糟糕的工作岗位上拿不到钱，还被要求付钱工作，那他应该拿着钱跑路。
报道提到，该博物馆目前还没有采取法律行动，其负责人安德森说：“这不是我们在合同中约定的内容，但我们从哈宁那里得到了新的和有趣的艺术。”目前，双方仍在商定哈宁归还相当于8.4万美元的丹麦克朗的具体日期。#侨报新闻速递# https://t.cn/A6Mf5Fg4
#unknown images##unknown texts#
Japanese Art Collection ‘Mé’ Creates a Hypersurrealistic Landscape of a Ocean Waves at Mori Art Museum
https://t.cn/EITaK2l
It’s hard to comprehend Contact, the new installation by Japanese art collective 目 (pronounced Mé), headed by Haruka Kojin, director Kenji Minamigawa, and production manager Hirofumi Masui. Light from a window behind the work dapples sculptural waves with pockets of sunlight, making it appear as if it is actually rippling before your eyes. If it wasn’t for the walls that contain the deep blue piece, one might assume they’ve created a real wave machine inside the Mori Art Museum where the work is currently installed.
The work is a part of Roppongi Crossing, a triennial series of exhibitions that provide an overview of Japan’s contemporary art scene. You can see more works from this year’s presentation of works from 25 artists and collectives on Mori Art Museum’s website, which founded the exhibition series in 2004. Contact is on view through May 26, 2019. (via Spoon & Tamago)
#liminal mood#
Japanese Art Collection ‘Mé’ Creates a Hypersurrealistic Landscape of a Ocean Waves at Mori Art Museum
https://t.cn/EITaK2l
It’s hard to comprehend Contact, the new installation by Japanese art collective 目 (pronounced Mé), headed by Haruka Kojin, director Kenji Minamigawa, and production manager Hirofumi Masui. Light from a window behind the work dapples sculptural waves with pockets of sunlight, making it appear as if it is actually rippling before your eyes. If it wasn’t for the walls that contain the deep blue piece, one might assume they’ve created a real wave machine inside the Mori Art Museum where the work is currently installed.
The work is a part of Roppongi Crossing, a triennial series of exhibitions that provide an overview of Japan’s contemporary art scene. You can see more works from this year’s presentation of works from 25 artists and collectives on Mori Art Museum’s website, which founded the exhibition series in 2004. Contact is on view through May 26, 2019. (via Spoon & Tamago)
#liminal mood#
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