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未来十年的电影应该是什么样子？

奉俊昊回答：“《仲夏夜惊魂》里令人无法抗拒的视觉效果；漆黑的海洋与《夜以继日》里安静的凝视相遇；美丽的《灯塔》在海的那一边发出黑白色的光芒；尹佳恩电影《我们的世界》里孩子们没完没了的唠叨；《幸福的拉扎罗》这一惊人的电影奇迹。”

The compulsive visuals of Midsommar (2019), the pitch-black ocean that meets the quiet gaze of Asako I & II (2018), the beauty of The Lighthouse (2019) emitting black-and-white light beyond that ocean, the children’s endless chatter in Yoon Gaeun’s films, the astonishing cinematic miracle that is Happy as Lazzaro (2018). What future do these films suggest for their directors? One thing remains certain: they will continue to shoot films.

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图cr.Defoliation2H