想趁着今晚放烟花,嘭的一声,把对你的喜欢都蹦向明年
I want to take advantage of the fireworks tonight, bang, and jump to next year
看新一年的光怪陆离,江湖海底,和你一起
Look at the weirdness of the new year, the bottom of the rivers and lakes, with you
初次跟你一起过年,请多关照
This is the first time to spend the new year with you, please take care
你把我的心偷走,你不能弄丢哦
You steal my heart, you can't lose it
新的一年,要牵好我的手,别把我弄丢了
In the new year, hold my hand, don’t lose me
恭喜你 成为我唯一最喜欢选手
Congratulations on being my only favorite player
心仪男孩 你要常驻于我身边呀
You have to admire the boy on my side Yeah resident
即使隔了千山万水 也像一同走过万水千山
Even if separated by thousands of mountains and rivers, it is like walking through thousands of rivers and mountains together
新
I want to take advantage of the fireworks tonight, bang, and jump to next year
看新一年的光怪陆离,江湖海底,和你一起
Look at the weirdness of the new year, the bottom of the rivers and lakes, with you
初次跟你一起过年,请多关照
This is the first time to spend the new year with you, please take care
你把我的心偷走,你不能弄丢哦
You steal my heart, you can't lose it
新的一年,要牵好我的手,别把我弄丢了
In the new year, hold my hand, don’t lose me
恭喜你 成为我唯一最喜欢选手
Congratulations on being my only favorite player
心仪男孩 你要常驻于我身边呀
You have to admire the boy on my side Yeah resident
即使隔了千山万水 也像一同走过万水千山
Even if separated by thousands of mountains and rivers, it is like walking through thousands of rivers and mountains together
新
#林忆莲[超话]#
以下内容搬运自fb:没有新歌的唱片行
近日在日本推出了一本音乐指南书《Asian City Music Disc Guide》。顾名思义,这本书算是近年在全球疯狂刮起的日本City Pop音乐热潮下的延伸产物。以下简单介绍一下这本书的内容。
有关City Pop音乐是什么样的概念、表现以及发展的状况,已经有太多的文字加以解说,在此不再赘述。尽管这样的音乐风潮起源于日本,但“都市音乐”这样的概念却早就在亚洲各地的乐坛模仿、萌芽,甚或青出于蓝大鸣大放,这样的盛况在这本《Asian City Music Disc Guide》的纪录下更可得到证实。这本书集结十数位对亚洲流行音乐知之甚详的音乐评论者,共同评选出日语歌曲以外在1970-2010这四十年间600首最具“都市音乐”概念的代表性作品。
特别注明:书中所谓的“都市音乐”未必是符合City POP音乐节奏的歌曲,而是真正与该都市发展历程相对应之作品。
忆莲共有5首歌入选[送花花]
林忆莲/三更夜半(夜长梦多)/都市触觉Part I City Rhythm/1988
林忆莲/烧(你给我的爱不是爱)/都市触觉 Part II逃离钢筋森林/1989
林忆莲/夜生活(我的夜生活)/都市触觉Part III Faces & Places/1990
林忆莲/再生恋/野花/1991
林忆莲/Steal A Kiss/Open Up/1995
以下内容搬运自fb:没有新歌的唱片行
近日在日本推出了一本音乐指南书《Asian City Music Disc Guide》。顾名思义,这本书算是近年在全球疯狂刮起的日本City Pop音乐热潮下的延伸产物。以下简单介绍一下这本书的内容。
有关City Pop音乐是什么样的概念、表现以及发展的状况,已经有太多的文字加以解说,在此不再赘述。尽管这样的音乐风潮起源于日本,但“都市音乐”这样的概念却早就在亚洲各地的乐坛模仿、萌芽,甚或青出于蓝大鸣大放,这样的盛况在这本《Asian City Music Disc Guide》的纪录下更可得到证实。这本书集结十数位对亚洲流行音乐知之甚详的音乐评论者,共同评选出日语歌曲以外在1970-2010这四十年间600首最具“都市音乐”概念的代表性作品。
特别注明:书中所谓的“都市音乐”未必是符合City POP音乐节奏的歌曲,而是真正与该都市发展历程相对应之作品。
忆莲共有5首歌入选[送花花]
林忆莲/三更夜半(夜长梦多)/都市触觉Part I City Rhythm/1988
林忆莲/烧(你给我的爱不是爱)/都市触觉 Part II逃离钢筋森林/1989
林忆莲/夜生活(我的夜生活)/都市触觉Part III Faces & Places/1990
林忆莲/再生恋/野花/1991
林忆莲/Steal A Kiss/Open Up/1995
幸福就是在你想吃面包的时候收到一个面包,然后安心地吃。如果你只得到半个面包,他们称之为不足;如果你得到的更少,他们称之为匮乏;如果你得到两个,他们称之为富有;如果你得到三个,他们称之为超负荷;如果你得到更多,他们称之为疲惫。幸福不是那么好,而是适量;幸福不是脸上的虚荣,而是内心的需要;幸福不是在别人的眼中,而是在自己的心中。你的幸福,如果你不承诺,别人永远无法窃取它。
Happiness is receiving a loaf of bread when you want to eat it, and then eating it with peace of mind If you only get half a loaf of bread, they call it insufficient; If you get less, they call it scarcity; If you get two, they call it rich; If you get three, they call it overload; If you get more, they call it exhaustion Happiness is not so good, but moderate; Happiness is not vanity on the face, but inner need; Happiness is not in the eyes of others, but in your own heart Your happiness, if you don't promise, others can never steal it。
Happiness is receiving a loaf of bread when you want to eat it, and then eating it with peace of mind If you only get half a loaf of bread, they call it insufficient; If you get less, they call it scarcity; If you get two, they call it rich; If you get three, they call it overload; If you get more, they call it exhaustion Happiness is not so good, but moderate; Happiness is not vanity on the face, but inner need; Happiness is not in the eyes of others, but in your own heart Your happiness, if you don't promise, others can never steal it。
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