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面积：002平米叠拼
设计师：高钰博
风格：义主典古新
产品和人一样，
先入眼，再心走[心]
一见钟情的是颜值，
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#双语阅读#【古文里的高级审美词汇，怎样翻译成英文？】品佳作，赞盛景，本想脱口而出，奈何词穷无言。中华文化广而博，这里整理了一些古文中高级审美词汇表达，学起来吧！
1.洗炼 Terseness / Make Writing Succinct
精简词句，提炼要义。洗炼是一种文字干净、主旨鲜明的文学风格。
This term means that wording should be refined to highlight the essential message. Terseness is a mark of neat and thematically explicit writing.
▌引例
不洗不净，不炼不纯。惟陈言之务去，独戛戛乎生新。（孙联奎《诗品臆说》）
Nothing will be clean until it is cleansed. Nothing will be pure until it is refined. Only by ridding ourselves of any banality, can we become truly original.
2.雄浑 Powerfulness
指雄健有力、浑厚自然的艺术风格与审美气象。
This term, which literally means power and splendor, refers to a natural and powerful artistic style and aesthetic taste.
▌引例
大力无敌为雄，元气未分为浑。（杨廷芝《 <二十四诗品> 浅解》）
Powerfulness means invincible power and indivisible mass of vital energy.
3.纯素 Pure and Unadorned
纯粹而素朴。指纯然素朴、不加人工雕饰的本色之美。
This term refers to natural, unadorned beauty.
▌引例
纯素之道，惟神是守。守而勿失，与神为一。 （《庄子·刻意》）
Within spiritual being lies the value of pure simplicity. If you retain your spirit without fail, you became one with it.
4.隐秀 Latent Sentiment and Evident Beauty
诗歌与文章既隐含丰富的思想感情，又有秀美的名言佳句。
This term means that prose and poetry may contain latent sentiments and thoughts, as well as expressions and sentences that present an apparent sense of beauty.
▌引例
情在词外曰隐，状溢目前曰秀。 （张戒《岁寒堂诗话》卷上引刘勰语）
Latency happens when feelings and thoughts are hidden between the lines of a literary work. Evident beauty occurs when messages of sentiment and feelings are vividly portrayed by the images the author creates.
5.飘逸 Natural Grace
指诗歌作品中所表现出的逍遥自适、超凡脱俗、无拘无束的审美情趣和艺术风格。
Natural Grace refers to free and unconstrained aesthetic style and artistic appeal in poetic works.
▌引例
子美不能为太白之飘逸，太白不能为子美之沉郁。 （严羽《沧浪诗话·诗评》）
Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu’s poems.
6.空灵 Ethereal Effect
空灵用笔洗练，重在传达神韵，具有空灵特点的作品澄澈透明、飘逸灵动，能使人体悟到自由超脱的审美愉悦。
The notion of ethereal effect values simple layout and economical use of details, seeking to convey character and imagination. Works that make use of ethereal effect convey a wonderful lucidity, and possess openness, freedom, and natural grace. Such works enable viewers to appreciate the aesthetic joy of free imagination.
▌引例
古人用笔极塞实处愈见空灵，今人布置一角已见繁缛。（恽格《南田画跋·题画》）
When painting, classical artists made use of ethereal effect all the more where a dense collection of objects normally was required. However today’s artists no sooner begin to paint than they fill the space with elaborate details.
7.枯淡 Dry Plainness
指诗文作品所呈现的质朴干枯、平和清淡的艺术风格。
This refers to a literary style that appears plain and dry, mild and moderate.
枯淡不是枯涩寡味、平庸浅薄，而是指外表看似干枯平淡、内里丰腴醇厚的一种表现手法，旨在用质朴平淡的语言和描写来表现丰富深刻的思想内容，创造出含蓄深邃、醇厚高远的意境。
▌引例
所贵乎枯淡者，谓其外枯而中膏，似淡而实美，渊明、子厚之流是也。（苏轼《评韩柳诗》）
I value the style of dry plainness because it looks withered and dry outside but is rich inside; it appears plain but is in fact beautiful. Poetry by such writers as Tao Yuanming and Liu Zongyuan is like this.
8.畅神 Free Flow of One's Mind
指精神与自然合一时所达到的自由舒畅的一种审美状态。
The term describes a state of mind one achieves when appreciating an artwork, in which process one's inner feelings interact freely and joyfully with nature.
▌引例
圣贤映于绝代，万趣融其神思，余复何为哉？畅神而已。（宗炳《画山水序》）
As sages of remote past already discovered the philosophical wisdom inherent in nature through imagination and contemplation, what more do I need to do now? All I have to do is relishing the joy when my mind interacts freely with the depicted landscape.
9.高古 Unadorned Antiquity
高远古朴，高雅简古。用于文艺批评，主要指文艺作品中所体现出的意蕴高远古朴、情志高雅，凝重而又深具历史感的艺术风格。
This term describes the quality of loftiness or primitive simplicity, and is used primarily in literary criticism to refer to an ancient nobility, an aspiration or sentiment, or an artistic style of historical gravity.
它有时也指高人雅士独具的一种人格境界。
This term is also used to refer to an elevated state of being attained by noble-minded persons.
▌引例
汉人诗文，存于今者，无不高古浑朴。（章学诚《文史通义·内篇五·妇学篇书后》）
Prose and poetry by Han Dynasty authors, so long as they have survived to this day, all show a lofty adherence to an unadorned antiquity and a charming rusticity.
10.气象 Prevailing Features
原是自然界中景色物候的总称，也指某个时期社会的总体精神风貌。
Qixiang (气象), originally a term about the general state of scenery and physical objects in nature, also refers to the prevailing features of a society in a given period of time.
具体到艺术领域，指艺术作品所呈现出的风格与气概，内涵偏重于宏伟壮大，多用“雄浑”（heroic）“浑厚”（immense）“峥嵘”（sublime）等来修饰。
▌引例
盛唐诸公之诗，如颜鲁公书，既笔力雄壮，又气象浑厚。（严羽《答出继叔临安吴景仙书》）
Works of many poets during the prime of the Tang Dynasty struck readers with their powerful expression, just like the calligraphy of Yan Zhenqing.（内容来源于中国日报网英语点津）
1.洗炼 Terseness / Make Writing Succinct
精简词句，提炼要义。洗炼是一种文字干净、主旨鲜明的文学风格。
This term means that wording should be refined to highlight the essential message. Terseness is a mark of neat and thematically explicit writing.
▌引例
不洗不净，不炼不纯。惟陈言之务去，独戛戛乎生新。（孙联奎《诗品臆说》）
Nothing will be clean until it is cleansed. Nothing will be pure until it is refined. Only by ridding ourselves of any banality, can we become truly original.
2.雄浑 Powerfulness
指雄健有力、浑厚自然的艺术风格与审美气象。
This term, which literally means power and splendor, refers to a natural and powerful artistic style and aesthetic taste.
▌引例
大力无敌为雄，元气未分为浑。（杨廷芝《 <二十四诗品> 浅解》）
Powerfulness means invincible power and indivisible mass of vital energy.
3.纯素 Pure and Unadorned
纯粹而素朴。指纯然素朴、不加人工雕饰的本色之美。
This term refers to natural, unadorned beauty.
▌引例
纯素之道，惟神是守。守而勿失，与神为一。 （《庄子·刻意》）
Within spiritual being lies the value of pure simplicity. If you retain your spirit without fail, you became one with it.
4.隐秀 Latent Sentiment and Evident Beauty
诗歌与文章既隐含丰富的思想感情，又有秀美的名言佳句。
This term means that prose and poetry may contain latent sentiments and thoughts, as well as expressions and sentences that present an apparent sense of beauty.
▌引例
情在词外曰隐，状溢目前曰秀。 （张戒《岁寒堂诗话》卷上引刘勰语）
Latency happens when feelings and thoughts are hidden between the lines of a literary work. Evident beauty occurs when messages of sentiment and feelings are vividly portrayed by the images the author creates.
5.飘逸 Natural Grace
指诗歌作品中所表现出的逍遥自适、超凡脱俗、无拘无束的审美情趣和艺术风格。
Natural Grace refers to free and unconstrained aesthetic style and artistic appeal in poetic works.
▌引例
子美不能为太白之飘逸，太白不能为子美之沉郁。 （严羽《沧浪诗话·诗评》）
Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu’s poems.
6.空灵 Ethereal Effect
空灵用笔洗练，重在传达神韵，具有空灵特点的作品澄澈透明、飘逸灵动，能使人体悟到自由超脱的审美愉悦。
The notion of ethereal effect values simple layout and economical use of details, seeking to convey character and imagination. Works that make use of ethereal effect convey a wonderful lucidity, and possess openness, freedom, and natural grace. Such works enable viewers to appreciate the aesthetic joy of free imagination.
▌引例
古人用笔极塞实处愈见空灵，今人布置一角已见繁缛。（恽格《南田画跋·题画》）
When painting, classical artists made use of ethereal effect all the more where a dense collection of objects normally was required. However today’s artists no sooner begin to paint than they fill the space with elaborate details.
7.枯淡 Dry Plainness
指诗文作品所呈现的质朴干枯、平和清淡的艺术风格。
This refers to a literary style that appears plain and dry, mild and moderate.
枯淡不是枯涩寡味、平庸浅薄，而是指外表看似干枯平淡、内里丰腴醇厚的一种表现手法，旨在用质朴平淡的语言和描写来表现丰富深刻的思想内容，创造出含蓄深邃、醇厚高远的意境。
▌引例
所贵乎枯淡者，谓其外枯而中膏，似淡而实美，渊明、子厚之流是也。（苏轼《评韩柳诗》）
I value the style of dry plainness because it looks withered and dry outside but is rich inside; it appears plain but is in fact beautiful. Poetry by such writers as Tao Yuanming and Liu Zongyuan is like this.
8.畅神 Free Flow of One's Mind
指精神与自然合一时所达到的自由舒畅的一种审美状态。
The term describes a state of mind one achieves when appreciating an artwork, in which process one's inner feelings interact freely and joyfully with nature.
▌引例
圣贤映于绝代，万趣融其神思，余复何为哉？畅神而已。（宗炳《画山水序》）
As sages of remote past already discovered the philosophical wisdom inherent in nature through imagination and contemplation, what more do I need to do now? All I have to do is relishing the joy when my mind interacts freely with the depicted landscape.
9.高古 Unadorned Antiquity
高远古朴，高雅简古。用于文艺批评，主要指文艺作品中所体现出的意蕴高远古朴、情志高雅，凝重而又深具历史感的艺术风格。
This term describes the quality of loftiness or primitive simplicity, and is used primarily in literary criticism to refer to an ancient nobility, an aspiration or sentiment, or an artistic style of historical gravity.
它有时也指高人雅士独具的一种人格境界。
This term is also used to refer to an elevated state of being attained by noble-minded persons.
▌引例
汉人诗文，存于今者，无不高古浑朴。（章学诚《文史通义·内篇五·妇学篇书后》）
Prose and poetry by Han Dynasty authors, so long as they have survived to this day, all show a lofty adherence to an unadorned antiquity and a charming rusticity.
10.气象 Prevailing Features
原是自然界中景色物候的总称，也指某个时期社会的总体精神风貌。
Qixiang (气象), originally a term about the general state of scenery and physical objects in nature, also refers to the prevailing features of a society in a given period of time.
具体到艺术领域，指艺术作品所呈现出的风格与气概，内涵偏重于宏伟壮大，多用“雄浑”（heroic）“浑厚”（immense）“峥嵘”（sublime）等来修饰。
▌引例
盛唐诸公之诗，如颜鲁公书，既笔力雄壮，又气象浑厚。（严羽《答出继叔临安吴景仙书》）
Works of many poets during the prime of the Tang Dynasty struck readers with their powerful expression, just like the calligraphy of Yan Zhenqing.（内容来源于中国日报网英语点津）
農曆二月十五日，恭祝道祖太上老君聖誕
《太清寶誥》
至心皈命禮。隨方設教，歷劫度人。為皇者師，帝者師，王者師，假名易號。立天之道，地之道，人之道，隱聖顯凡。總千二百之官君。包萬億重之梵炁。化行今古，著道德凡五千言。主握陰陽，命雷霆用九五數。大悲大願，大聖大慈，太上老君，道德天尊。
大唐開元三年（715年），玄宗皇帝親自下詔，定二月十五為玄元節，規定為法定節日，全國休假三日以襄慶祝。從此老君的誕辰便由天子主持慶賀，而普天之下的道院宮觀都在這一天遙相呼應，共襄盛舉。玄宗皇帝為慶賀老君聖誕還特作《玄元皇帝贊》一首：
爰有上德，生而長年。白髮垂相，紫氣浮天。含光默默，永劫綿綿。萬教之祖，號曰玄元。東訓尼父，西化金仙。百王取法，累聖攸傳。函谷關右，經留五千。道非常道，玄之又玄。
道祖老君的聖誕日亦為國際道教節；即道教中具有開天創世與救贖教化的太上道祖。正所謂：一氣含三混沌初，太清立教自虛無。誰將周禮東傳孔，誰入函關化胡夷。八十一章明道德，百千萬億鎮玄都！
道教的最高神是三清。總稱謂是「虛無自然大羅三清三境三寶天尊」，位於玉幾下三寶景陽宮。指玉清、上清、太清三清境。也指居於三清仙境的三位尊神，即玉清元始天尊、上清靈寶天尊、太清道德天尊。
太上老君即「太清道德天尊」。又稱「開皇末劫天尊」、「道德天尊」、「降生天尊」、「混元上帝」、「師寶天尊」等。全稱「一炁化三清太清居大赤天仙登太清境玄氣所成日神寶君道德天尊混元上帝」，簡稱「太上老君」。
“太上老君”四字，具有極深的勝義。太者，言空間之最大；上者，言高下之最上；老者，言時間之最久；君者，言世間之最貴，所以“太上老君”四字包含至大、至高、至久、至貴，老君是道的根本化身，人們用“太上老君”透過有形的文字，來讚美不可說的“道”的化身。老君生於無始，起於無因，為萬道之先，元氣之祖也。無光無象、無音無聲、無色無緒，公眾號嗣漢天師府,幽幽冥冥，其中有精，其精甚真，彌綸無外，故稱“大道”。大道之身，即太上老君也。老君在天為萬天之主，在聖為萬聖之君，在仙為萬仙之總，在真為萬真之先，在星為天皇大帝，在教為太上老君。道經上說道君垂跡有一千二百號，或顯一百八十名，或號“無為父”，或號“萬物母”，與大道而輪化，為天地而立根。
太上老君為大道之主宰，萬教之宗元，出乎太無之先，起乎無極之源，經歷天地，不可稱載，終乎無終，窮乎無窮者也。其隨方設教，歷劫為師，隱顯有無，罔得而測，然垂世立教應現之跡，昭昭然若日月。
太上老君是三清尊神中受到最多香火奉祀的神明，度人無數，為三教之師；老子就是太上道祖的第十八世化身，因其傳下道家經典《道德經》，故稱老君為道德天尊，也被道教奉為開山祖師。
太上老君是道教最高神明「三清」尊神之一，在東漢時期降臨蜀地，傳授祖天師張道陵《太平洞極經》、《正一盟威二十四品法籙》、三五都功玉印、雌雄斬邪劍等經書、法器，拜為天師，囑咐天師廣行「正一盟威之道」，掃除妖魔，救護生民。
縱觀中國歷史，最強盛莫過於漢、唐二朝。漢代，以道教「無為而治」的思想治國七十餘年，開創「文景之治」；隴西李氏更是太上老君的後代子孫，唐高祖李淵為老君三十代聖孫，唐高宗尊太上老君為「玄元皇帝」，踐行道教開明治國、親民貴生的思想，贏得四方民心，致使八方來朝，萬國衣冠拜冕旒的盛況。這兩朝的興盛都與太上老君有密切的關係。
二月十五，不僅是老君降誕之日，更是大道顯化，重啟生機之時。因此，這這一天除了適宜祈福納祥之外，更是學道之士返本還源、謝罪自新的良辰吉日。
每到二月十五，無論道俗，均隆重慶賀。值此殊勝日請大家持清淨心、發廣大心，依言、身、意三門廣行善業、朝拜高真、誦經持咒、茹素參醮、酌水獻花、普施供奉等；回向給一切有情眾生，平安喜樂，祈願太平清和、眾生吉祥安泰、得聞正法！
《太清寶誥》
至心皈命禮。隨方設教，歷劫度人。為皇者師，帝者師，王者師，假名易號。立天之道，地之道，人之道，隱聖顯凡。總千二百之官君。包萬億重之梵炁。化行今古，著道德凡五千言。主握陰陽，命雷霆用九五數。大悲大願，大聖大慈，太上老君，道德天尊。
大唐開元三年（715年），玄宗皇帝親自下詔，定二月十五為玄元節，規定為法定節日，全國休假三日以襄慶祝。從此老君的誕辰便由天子主持慶賀，而普天之下的道院宮觀都在這一天遙相呼應，共襄盛舉。玄宗皇帝為慶賀老君聖誕還特作《玄元皇帝贊》一首：
爰有上德，生而長年。白髮垂相，紫氣浮天。含光默默，永劫綿綿。萬教之祖，號曰玄元。東訓尼父，西化金仙。百王取法，累聖攸傳。函谷關右，經留五千。道非常道，玄之又玄。
道祖老君的聖誕日亦為國際道教節；即道教中具有開天創世與救贖教化的太上道祖。正所謂：一氣含三混沌初，太清立教自虛無。誰將周禮東傳孔，誰入函關化胡夷。八十一章明道德，百千萬億鎮玄都！
道教的最高神是三清。總稱謂是「虛無自然大羅三清三境三寶天尊」，位於玉幾下三寶景陽宮。指玉清、上清、太清三清境。也指居於三清仙境的三位尊神，即玉清元始天尊、上清靈寶天尊、太清道德天尊。
太上老君即「太清道德天尊」。又稱「開皇末劫天尊」、「道德天尊」、「降生天尊」、「混元上帝」、「師寶天尊」等。全稱「一炁化三清太清居大赤天仙登太清境玄氣所成日神寶君道德天尊混元上帝」，簡稱「太上老君」。
“太上老君”四字，具有極深的勝義。太者，言空間之最大；上者，言高下之最上；老者，言時間之最久；君者，言世間之最貴，所以“太上老君”四字包含至大、至高、至久、至貴，老君是道的根本化身，人們用“太上老君”透過有形的文字，來讚美不可說的“道”的化身。老君生於無始，起於無因，為萬道之先，元氣之祖也。無光無象、無音無聲、無色無緒，公眾號嗣漢天師府,幽幽冥冥，其中有精，其精甚真，彌綸無外，故稱“大道”。大道之身，即太上老君也。老君在天為萬天之主，在聖為萬聖之君，在仙為萬仙之總，在真為萬真之先，在星為天皇大帝，在教為太上老君。道經上說道君垂跡有一千二百號，或顯一百八十名，或號“無為父”，或號“萬物母”，與大道而輪化，為天地而立根。
太上老君為大道之主宰，萬教之宗元，出乎太無之先，起乎無極之源，經歷天地，不可稱載，終乎無終，窮乎無窮者也。其隨方設教，歷劫為師，隱顯有無，罔得而測，然垂世立教應現之跡，昭昭然若日月。
太上老君是三清尊神中受到最多香火奉祀的神明，度人無數，為三教之師；老子就是太上道祖的第十八世化身，因其傳下道家經典《道德經》，故稱老君為道德天尊，也被道教奉為開山祖師。
太上老君是道教最高神明「三清」尊神之一，在東漢時期降臨蜀地，傳授祖天師張道陵《太平洞極經》、《正一盟威二十四品法籙》、三五都功玉印、雌雄斬邪劍等經書、法器，拜為天師，囑咐天師廣行「正一盟威之道」，掃除妖魔，救護生民。
縱觀中國歷史，最強盛莫過於漢、唐二朝。漢代，以道教「無為而治」的思想治國七十餘年，開創「文景之治」；隴西李氏更是太上老君的後代子孫，唐高祖李淵為老君三十代聖孫，唐高宗尊太上老君為「玄元皇帝」，踐行道教開明治國、親民貴生的思想，贏得四方民心，致使八方來朝，萬國衣冠拜冕旒的盛況。這兩朝的興盛都與太上老君有密切的關係。
二月十五，不僅是老君降誕之日，更是大道顯化，重啟生機之時。因此，這這一天除了適宜祈福納祥之外，更是學道之士返本還源、謝罪自新的良辰吉日。
每到二月十五，無論道俗，均隆重慶賀。值此殊勝日請大家持清淨心、發廣大心，依言、身、意三門廣行善業、朝拜高真、誦經持咒、茹素參醮、酌水獻花、普施供奉等；回向給一切有情眾生，平安喜樂，祈願太平清和、眾生吉祥安泰、得聞正法！
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