#双语阅读#【古文里的高级审美词汇，怎样翻译成英文？】品佳作，赞盛景，本想脱口而出，奈何词穷无言。中华文化广而博，这里整理了一些古文中高级审美词汇表达，学起来吧！
1.洗炼 Terseness / Make Writing Succinct
精简词句，提炼要义。洗炼是一种文字干净、主旨鲜明的文学风格。
This term means that wording should be refined to highlight the essential message. Terseness is a mark of neat and thematically explicit writing.
▌引例
不洗不净，不炼不纯。惟陈言之务去，独戛戛乎生新。（孙联奎《诗品臆说》）
Nothing will be clean until it is cleansed. Nothing will be pure until it is refined. Only by ridding ourselves of any banality, can we become truly original.
2.雄浑 Powerfulness
指雄健有力、浑厚自然的艺术风格与审美气象。
This term, which literally means power and splendor, refers to a natural and powerful artistic style and aesthetic taste.
▌引例
大力无敌为雄，元气未分为浑。（杨廷芝《 <二十四诗品> 浅解》）
Powerfulness means invincible power and indivisible mass of vital energy.
3.纯素 Pure and Unadorned
纯粹而素朴。指纯然素朴、不加人工雕饰的本色之美。
This term refers to natural, unadorned beauty.
▌引例
纯素之道，惟神是守。守而勿失，与神为一。 （《庄子·刻意》）
Within spiritual being lies the value of pure simplicity. If you retain your spirit without fail, you became one with it.
4.隐秀 Latent Sentiment and Evident Beauty
诗歌与文章既隐含丰富的思想感情，又有秀美的名言佳句。
This term means that prose and poetry may contain latent sentiments and thoughts, as well as expressions and sentences that present an apparent sense of beauty.
▌引例
情在词外曰隐，状溢目前曰秀。 （张戒《岁寒堂诗话》卷上引刘勰语）
Latency happens when feelings and thoughts are hidden between the lines of a literary work. Evident beauty occurs when messages of sentiment and feelings are vividly portrayed by the images the author creates.
5.飘逸 Natural Grace
指诗歌作品中所表现出的逍遥自适、超凡脱俗、无拘无束的审美情趣和艺术风格。
Natural Grace refers to free and unconstrained aesthetic style and artistic appeal in poetic works.
▌引例
子美不能为太白之飘逸，太白不能为子美之沉郁。 （严羽《沧浪诗话·诗评》）
Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu’s poems.
6.空灵 Ethereal Effect
空灵用笔洗练，重在传达神韵，具有空灵特点的作品澄澈透明、飘逸灵动，能使人体悟到自由超脱的审美愉悦。
The notion of ethereal effect values simple layout and economical use of details, seeking to convey character and imagination. Works that make use of ethereal effect convey a wonderful lucidity, and possess openness, freedom, and natural grace. Such works enable viewers to appreciate the aesthetic joy of free imagination.
▌引例
古人用笔极塞实处愈见空灵，今人布置一角已见繁缛。（恽格《南田画跋·题画》）
When painting, classical artists made use of ethereal effect all the more where a dense collection of objects normally was required. However today’s artists no sooner begin to paint than they fill the space with elaborate details.
7.枯淡 Dry Plainness
指诗文作品所呈现的质朴干枯、平和清淡的艺术风格。
This refers to a literary style that appears plain and dry, mild and moderate.
枯淡不是枯涩寡味、平庸浅薄，而是指外表看似干枯平淡、内里丰腴醇厚的一种表现手法，旨在用质朴平淡的语言和描写来表现丰富深刻的思想内容，创造出含蓄深邃、醇厚高远的意境。
▌引例
所贵乎枯淡者，谓其外枯而中膏，似淡而实美，渊明、子厚之流是也。（苏轼《评韩柳诗》）
I value the style of dry plainness because it looks withered and dry outside but is rich inside; it appears plain but is in fact beautiful. Poetry by such writers as Tao Yuanming and Liu Zongyuan is like this.
8.畅神 Free Flow of One's Mind
指精神与自然合一时所达到的自由舒畅的一种审美状态。
The term describes a state of mind one achieves when appreciating an artwork, in which process one's inner feelings interact freely and joyfully with nature.
▌引例
圣贤映于绝代，万趣融其神思，余复何为哉？畅神而已。（宗炳《画山水序》）
As sages of remote past already discovered the philosophical wisdom inherent in nature through imagination and contemplation, what more do I need to do now? All I have to do is relishing the joy when my mind interacts freely with the depicted landscape.
9.高古 Unadorned Antiquity
高远古朴，高雅简古。用于文艺批评，主要指文艺作品中所体现出的意蕴高远古朴、情志高雅，凝重而又深具历史感的艺术风格。
This term describes the quality of loftiness or primitive simplicity, and is used primarily in literary criticism to refer to an ancient nobility, an aspiration or sentiment, or an artistic style of historical gravity.
它有时也指高人雅士独具的一种人格境界。
This term is also used to refer to an elevated state of being attained by noble-minded persons.
▌引例
汉人诗文，存于今者，无不高古浑朴。（章学诚《文史通义·内篇五·妇学篇书后》）
Prose and poetry by Han Dynasty authors, so long as they have survived to this day, all show a lofty adherence to an unadorned antiquity and a charming rusticity.
10.气象 Prevailing Features
原是自然界中景色物候的总称，也指某个时期社会的总体精神风貌。
Qixiang (气象), originally a term about the general state of scenery and physical objects in nature, also refers to the prevailing features of a society in a given period of time.
具体到艺术领域，指艺术作品所呈现出的风格与气概，内涵偏重于宏伟壮大，多用“雄浑”（heroic）“浑厚”（immense）“峥嵘”（sublime）等来修饰。
▌引例
盛唐诸公之诗，如颜鲁公书，既笔力雄壮，又气象浑厚。（严羽《答出继叔临安吴景仙书》）
Works of many poets during the prime of the Tang Dynasty struck readers with their powerful expression, just like the calligraphy of Yan Zhenqing.（内容来源于中国日报网英语点津）
1.洗炼 Terseness / Make Writing Succinct
精简词句，提炼要义。洗炼是一种文字干净、主旨鲜明的文学风格。
This term means that wording should be refined to highlight the essential message. Terseness is a mark of neat and thematically explicit writing.
▌引例
不洗不净，不炼不纯。惟陈言之务去，独戛戛乎生新。（孙联奎《诗品臆说》）
Nothing will be clean until it is cleansed. Nothing will be pure until it is refined. Only by ridding ourselves of any banality, can we become truly original.
2.雄浑 Powerfulness
指雄健有力、浑厚自然的艺术风格与审美气象。
This term, which literally means power and splendor, refers to a natural and powerful artistic style and aesthetic taste.
▌引例
大力无敌为雄，元气未分为浑。（杨廷芝《 <二十四诗品> 浅解》）
Powerfulness means invincible power and indivisible mass of vital energy.
3.纯素 Pure and Unadorned
纯粹而素朴。指纯然素朴、不加人工雕饰的本色之美。
This term refers to natural, unadorned beauty.
▌引例
纯素之道，惟神是守。守而勿失，与神为一。 （《庄子·刻意》）
Within spiritual being lies the value of pure simplicity. If you retain your spirit without fail, you became one with it.
4.隐秀 Latent Sentiment and Evident Beauty
诗歌与文章既隐含丰富的思想感情，又有秀美的名言佳句。
This term means that prose and poetry may contain latent sentiments and thoughts, as well as expressions and sentences that present an apparent sense of beauty.
▌引例
情在词外曰隐，状溢目前曰秀。 （张戒《岁寒堂诗话》卷上引刘勰语）
Latency happens when feelings and thoughts are hidden between the lines of a literary work. Evident beauty occurs when messages of sentiment and feelings are vividly portrayed by the images the author creates.
5.飘逸 Natural Grace
指诗歌作品中所表现出的逍遥自适、超凡脱俗、无拘无束的审美情趣和艺术风格。
Natural Grace refers to free and unconstrained aesthetic style and artistic appeal in poetic works.
▌引例
子美不能为太白之飘逸，太白不能为子美之沉郁。 （严羽《沧浪诗话·诗评》）
Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu’s poems.
6.空灵 Ethereal Effect
空灵用笔洗练，重在传达神韵，具有空灵特点的作品澄澈透明、飘逸灵动，能使人体悟到自由超脱的审美愉悦。
The notion of ethereal effect values simple layout and economical use of details, seeking to convey character and imagination. Works that make use of ethereal effect convey a wonderful lucidity, and possess openness, freedom, and natural grace. Such works enable viewers to appreciate the aesthetic joy of free imagination.
▌引例
古人用笔极塞实处愈见空灵，今人布置一角已见繁缛。（恽格《南田画跋·题画》）
When painting, classical artists made use of ethereal effect all the more where a dense collection of objects normally was required. However today’s artists no sooner begin to paint than they fill the space with elaborate details.
7.枯淡 Dry Plainness
指诗文作品所呈现的质朴干枯、平和清淡的艺术风格。
This refers to a literary style that appears plain and dry, mild and moderate.
枯淡不是枯涩寡味、平庸浅薄，而是指外表看似干枯平淡、内里丰腴醇厚的一种表现手法，旨在用质朴平淡的语言和描写来表现丰富深刻的思想内容，创造出含蓄深邃、醇厚高远的意境。
▌引例
所贵乎枯淡者，谓其外枯而中膏，似淡而实美，渊明、子厚之流是也。（苏轼《评韩柳诗》）
I value the style of dry plainness because it looks withered and dry outside but is rich inside; it appears plain but is in fact beautiful. Poetry by such writers as Tao Yuanming and Liu Zongyuan is like this.
8.畅神 Free Flow of One's Mind
指精神与自然合一时所达到的自由舒畅的一种审美状态。
The term describes a state of mind one achieves when appreciating an artwork, in which process one's inner feelings interact freely and joyfully with nature.
▌引例
圣贤映于绝代，万趣融其神思，余复何为哉？畅神而已。（宗炳《画山水序》）
As sages of remote past already discovered the philosophical wisdom inherent in nature through imagination and contemplation, what more do I need to do now? All I have to do is relishing the joy when my mind interacts freely with the depicted landscape.
9.高古 Unadorned Antiquity
高远古朴，高雅简古。用于文艺批评，主要指文艺作品中所体现出的意蕴高远古朴、情志高雅，凝重而又深具历史感的艺术风格。
This term describes the quality of loftiness or primitive simplicity, and is used primarily in literary criticism to refer to an ancient nobility, an aspiration or sentiment, or an artistic style of historical gravity.
它有时也指高人雅士独具的一种人格境界。
This term is also used to refer to an elevated state of being attained by noble-minded persons.
▌引例
汉人诗文，存于今者，无不高古浑朴。（章学诚《文史通义·内篇五·妇学篇书后》）
Prose and poetry by Han Dynasty authors, so long as they have survived to this day, all show a lofty adherence to an unadorned antiquity and a charming rusticity.
10.气象 Prevailing Features
原是自然界中景色物候的总称，也指某个时期社会的总体精神风貌。
Qixiang (气象), originally a term about the general state of scenery and physical objects in nature, also refers to the prevailing features of a society in a given period of time.
具体到艺术领域，指艺术作品所呈现出的风格与气概，内涵偏重于宏伟壮大，多用“雄浑”（heroic）“浑厚”（immense）“峥嵘”（sublime）等来修饰。
▌引例
盛唐诸公之诗，如颜鲁公书，既笔力雄壮，又气象浑厚。（严羽《答出继叔临安吴景仙书》）
Works of many poets during the prime of the Tang Dynasty struck readers with their powerful expression, just like the calligraphy of Yan Zhenqing.（内容来源于中国日报网英语点津）
[考关]
出道弟子到一定时间段就会经历各种考关,通过关卡考察/提升弟子的心性和智慧.考过了会逐步开一些灵感,考不过就停滞一段时间,仙家也会等弟子想明白.像有些弱点是不能有的,比如执念重,过于神叨,意志力不坚定,因为这个状态没办法带好仙家.
人有先天本性,又因家庭环境,后天经历,性情各有不同.所以每个弟子的弱点不一样,关卡也不同.每个人克服自己的弱点都是很难的,尤其是心思细腻的弟子.心里过不去的时候可能会反反复复,挣扎对抗,尝试转念...
这也不是坏事.有过不去的坎才会看到自身的不足,才会过关,才有收获提升.
#仙缘##出道仙##出道仙文化##玄学#
出道弟子到一定时间段就会经历各种考关,通过关卡考察/提升弟子的心性和智慧.考过了会逐步开一些灵感,考不过就停滞一段时间,仙家也会等弟子想明白.像有些弱点是不能有的,比如执念重,过于神叨,意志力不坚定,因为这个状态没办法带好仙家.
人有先天本性,又因家庭环境,后天经历,性情各有不同.所以每个弟子的弱点不一样,关卡也不同.每个人克服自己的弱点都是很难的,尤其是心思细腻的弟子.心里过不去的时候可能会反反复复,挣扎对抗,尝试转念...
这也不是坏事.有过不去的坎才会看到自身的不足,才会过关,才有收获提升.
#仙缘##出道仙##出道仙文化##玄学#
三本修仙流，“凡人流”与“技术流”相结合的奇幻修真！#拒绝书荒#《不朽凡人》当陆小远继承了祖父传给他的碎玉残片，修行了碎玉上的功法之后，他发现自己居然获得了能将时间无限延长，也能将时间无限缩短的能力，他没有将这个秘密告诉任何人，而是将它深深埋藏在心里，他要用它改变这个他认为不合理的极恶世界。他要改变一切。当这个废柴少年烈血如燃，终于迈进了修行者的行列，毅然把一分一秒的时间，无限延长到一年甚至是十年长，用来修行的时候，他已踏上了修行天才之路，从此开启了一段热血传奇的强者征途……众神林立，武道无极武之至极者，必灭天绝神推荐评语：这是一个玄幻种田，一本“凡人流”与“技术流”相结合的奇幻修真作品，世界大多数的人都是平凡的，天才毕竟才是少数，广阔的宇宙之中，证道方式简直多种多样，而且凡人之道也是证道的手段之一，没有灵根不代表不能够修道。此讲究的是地球人莫无忌，以凡人之身修炼成道的故事，主角凭着前世的研究作为金手指，然后闯出一条凡人修仙之路，白金大神的大作，笔和剧情都是一流，风大气，脑洞非常大，并且换地图换的也蛮快，看起来蛮爽。丁布二也明白过来，敢情他和莫无忌两人来是被利用的。“无忌……”丁布二看着莫无忌，脸色有些难看。莫无忌对姬广邀请他和丁布二加入小队，早就有些疑惑。现在弄清楚了，反而显得平静下来，“这说明我们有利用价值，如果没有利用价值，我相信姬兄也不会邀请我们过来。姬兄，你说对吗？”说到最后一句话，莫无忌已经是看向了姬广。他是真的不在意，姬广在利用他，他一样在利用姬广。没有姬广带路，他想找到这里来，恐怕不大容易。更何况，还多了三个帮手。姬广之所以觉得利用了他，那是因为姬广不知道他需要雷击。雷击对姬广等人来说是噩梦，对他莫无忌来说是无上的机缘。正如他说的那样，如果他和丁布二没有利用价值，别人凭什么要拉他们两个加入小队。“好，莫兄弟就是豁达，走，我们现在出发。”姬广说完，第一个跳上了皮船。见莫无忌同意，丁布二也不再多话，抓着一支划桨和莫无忌一起上了皮船。莫无忌还以为这皮船就算是有四个人划，速度也不会很快，但到了船上后，他就知道自己的想法大谬。这个皮船设计非常巧妙，四个划桨两边驱动，速度几乎和摩托艇一般，在水上直飚。莫无忌观察了一会，这个皮船的设计将水的阻力减到最弱。弱点是，四个人划累了后没有人换班。还有一个，很容易被撕破。两个小时后，海面上的天空变得阴沉起来。“大家休息一下吧，估计要下暴雨了。”莫无忌见到丁布二有些坚持不住，提示了一声。姬广也点头说道，“好，就在这里吃点东西，休息半个时辰，然后继续赶路。”众人没有休息到半个时辰，仅仅二十分钟左右，一声炸雷，黄豆大的雨点就落了下来。莫无忌观察了一下皮船，这皮船还有一个自动的排水设备。不过没有给大家躲雨的地方。“咔……”又是一道闪电落了下来，这次姬广大声叫道，“有雷鳄来了，大家都不要动手，将雷鳄让给无忌兄弟对付。我们赶紧继续划船，无忌兄弟挡住过来的雷鳄。我们速度越快，无忌兄弟压力就越轻……”姬广话音未落，一条硕大的雷鳄已经飞跃过来，雷鳄还没有落下来，一道闪电就轰向了靠近船未的莫无忌。对姬广的提议莫无忌并不在意，他知道姬广的意思。雷鳄最为记仇，只要是他动手的，哪怕这里有五个人，雷鳄也肯定是先和他死磕。莫无忌这次换了一把长刀，根本就不用姬广提醒，他已经取出一瓶开脉药液咽下，主动挡住了那一道闪雷，同时长刀刺向了扑下来雷鳄的下喉。已经算是拓脉一层的莫无忌开始周天运转功法，之前他要费劲千辛万苦还要凭借一些运气，才能将雷弧力量引入脉络。此时在运行功法的帮助下，莫无忌很轻松的就将一道雷弧引入了脉络。这让莫无忌几乎泪流满面，他想尽一切办法要弄一个功法的想法果然正确。没有功法，哪有如此轻松容易的就将雷弧引入脉络？点击下方链接免费阅读>
✋热门推荐