Colombian Jefferson Riascos (C) is embraced by Diana Paola Angola (L), who recovered from the new coronavirus, after asking her to marry him as health workers hold letters forming the sentence “Do you want to marry me?” at the Versalles Clinic in Cali, Colombia on June 26, 2020, as she is discharged. The baby of the couple was delivered while Angola was under induced coma at the Intensive Care Unit.
Luis ROBAYO / AFP

【缅甸出现首例治愈后再次确诊新冠肺炎病例】该患者是一名缅甸医护人员，于4月18日确诊新冠肺炎并于5月20日治愈出院。这名患者在6月30日的检测中再次确诊。A patient in Myanmar who had recovered from COVID-19 tested positive again for the coronavirus on Tuesday, according to local health authorities. The patient is a medical worker in Shan State. He was initially infected with COVID-19 in April and recovered on May 20. Authorities said the patient is currently under quarantine. For more: https://t.cn/A6yAZb5d

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Under the Radar

Underground Zines and Self-Publications 1965-1975

60年代中期是独立出版、自出版作品涌现的高峰期。影印机、油印机和胶版印刷不仅可以生产小批量、低成本的印刷作品,还可以推动一些独特的美学效果:使用野生模型,结合打字机字体、手写、草稿图画以及拼贴的视觉效果,再贴上色情照片,摄影集快照和连环画。排版以新的方式自我解放,并以“感性”为名,让语言和视觉表达形式更为自由。
这本书是第一本介绍西德1965-1975年间独立出版作品的书籍,同时也展示了彼时的国际环境:这些历史并非虚构,它还原了一种“自己动手”的叛乱美学,也让我们重新审视当下“独立出版”的繁荣和Risograph美学的再兴起。