Leonidas Kavakos & Enrico Pace
Leonidas Kavakos - Beethoven: The Complete Violin Sonatas (24-96)
2012/2020

Ludwig van Beethoven
01 Violin Sonata No. 1 in D major, Op. 12 No. 1: I. Allegro con brio
02 Violin Sonata No. 1 in D major, Op. 12 No. 1: II. Tema con variazioni. Andante con moto
03 Violin Sonata No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro
04 Violin Sonata No. 2 in A major, Op. 12 No. 2: I. Allegro vivace
05 Violin Sonata No. 2 in A major, Op. 12 No. 2: II. Andante, più tosto allegretto
06 Violin Sonata No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole
07 Violin Sonata No. 3 in E flat major, Op. 12 No. 3: I. Allegro con spirito
08 Violin Sonata No. 3 in E flat major, Op. 12 No. 3: II. Adagio con molt'espressione
09 Violin Sonata No. 3 in E flat major, Op. 12 No. 3: III. Rondo
10 Violin Sonata No. 5 in F major, Op. 24 'Spring': I. Allegro
11 Violin Sonata No. 5 in F major, Op. 24 'Spring': II. Adagio molto espressivo
12 Violin Sonata No. 5 in F major, Op. 24 'Spring': III. Scherzo. Allegro molto
13 Violin Sonata No. 5 in F major, Op. 24 'Spring': IV. Rondo. Allegro ma non troppo
14 Violin Sonata No. 4 in A minor, Op. 23: I. Presto
15 Violin Sonata No. 4 in A minor, Op. 23: II. Andante scherzoso, piú allegretto
16 Violin Sonata No. 4 in A minor, Op. 23: III. Allegro molto
17 Violin Sonata No. 8 in G major, Op. 30 No. 3: I. Allegro assai
18 Violin Sonata No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazios
19 Violin Sonata No. 8 in G major, Op. 30 No. 3: III. Allegro vivace
20 Violin Sonata No. 9 in A major, Op. 47 'Kreutzer': I. Adagio sostenuto - Presto
21 Violin Sonata No. 9 in A major, Op. 47 'Kreutzer': II. Andante con variazioni
22 Violin Sonata No. 9 in A major, Op. 47 'Kreutzer': III. Finale. Presto
23 Violin Sonata No. 6 in A major, Op. 30 No. 1: I. Allegro
24 Violin Sonata No. 6 in A major, Op. 30 No. 1: II. Adagio
25 Violin Sonata No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni
26 Violin Sonata No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio
27 Violin Sonata No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile
28 Violin Sonata No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro
29 Violin Sonata No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro
30 Violin Sonata No. 10 in G major, Op. 96: I. Allegro moderato
31 Violin Sonata No. 10 in G major, Op. 96: II. Adagio espressivo
32 Violin Sonata No. 10 in G major, Op. 96: III. Scherzo. Allegro
33 Violin Sonata No. 10 in G major, Op. 96: IV. Poco allegretto

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【福州好嗨哟文化传媒有限公司幻想曲的自由洒脱】福州好嗨哟文化传媒有限公司幻想曲的自由洒脱
“幻想曲”（Fantasia）是一种形式自由洒脱、乐思浮想联翩的器乐曲。16、17世纪的幻想曲常由弦乐器（主要是琉特）或键盘乐器演奏，多用复调模仿手法（基本相同的旋律在高低不同的声部中轮番出现）自由发展主题。

其后，幻想曲常作为赋格曲和奏鸣曲的前奏，与结构严谨的赋格曲和奏鸣曲本身形成对比，如J.S.巴赫的《半音阶幻想曲与赋格》W.A.莫扎特的《c小调幻想曲》。此外，也作为独立的器乐曲，性质类似随想曲，如莫扎特的d小调和c小调钢琴幻想曲、L.van贝多芬的《g小调钢琴幻想曲》和《c小调钢琴、乐队与合唱幻想曲》。
浪温派作曲家F.F.肖邦、R.舒曼、J.勃拉姆斯等人的钢琴幻想曲常表现如梦的意境。F.李斯特称其以歌曲、歌剧和器乐曲主题为基础的钢琴和乐队改编曲为幻想曲。许多自由发展主题的歌剧集成曲，如P.德萨拉萨特和F.韦克斯曼的《卡门幻想曲》也称幻想曲。幻想曲与随想曲既有联系又有不同。一般地说，幻想曲着重内心深处的表达，更主观一些；而随想曲则偏于韵味和情致的抒发，外在情绪性更多一些。从形式结构上看，幻想曲往往比随想曲要长大。但二者常常相互渗透，难以绝然分清。