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"The emptiness that we confess in the dimmest hour of day.
In the common town, they make a sound like the low, sad moan of prey.
The bitter taste, the hidden face of the lost forgotten child.
The darkest need, the slowest speed, the pattern reconciled.
These dead men walk on water, cold blood runs through their veins.
The angry river rises as we step into the rain."
In the common town, they make a sound like the low, sad moan of prey.
The bitter taste, the hidden face of the lost forgotten child.
The darkest need, the slowest speed, the pattern reconciled.
These dead men walk on water, cold blood runs through their veins.
The angry river rises as we step into the rain."
The past is never dead, it's not even past. By William Faulkner
过去从未逝去，甚至尚未过去。——威廉·福克纳
Antebellum《内战前》女主手擎火炬，挥舞着战斧骑马的英姿简直了，尽管悬念一揭露并未很有新意，剧情也略为单薄，不过勾连古今借古讽今的概念甚是有趣，不禁想起之前的《过境》《幸福的拉扎罗》，摄影也蛮好，尽可以轻描淡写地说是黑人被迫害妄想，可咱看大洋彼岸的种族问题不过是隔岸观火罢了～
过去从未逝去，甚至尚未过去。——威廉·福克纳
Antebellum《内战前》女主手擎火炬，挥舞着战斧骑马的英姿简直了，尽管悬念一揭露并未很有新意，剧情也略为单薄，不过勾连古今借古讽今的概念甚是有趣，不禁想起之前的《过境》《幸福的拉扎罗》，摄影也蛮好，尽可以轻描淡写地说是黑人被迫害妄想，可咱看大洋彼岸的种族问题不过是隔岸观火罢了～
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