There is often a misconception that disadvantaged and marginalized groups are a fixed group of people who require special effort to understand and care for. However, in reality, disadvantage and marginalization exist in everyone's life. In situations where power is not supervised and constrained, the transition from mainstream strength to marginalized weakness often happens in an instant. In other words, as long as the majority of people do not fulfill their social responsibility to protect diversity of speech and struggle, anyone can become weak and marginalized in an instant, and be pushed to the edge.

Therefore, everyone should understand and care for those who are marginalized and disadvantaged, and take on their social responsibility to protect diversity of speech and struggle. Only in this way can we build a fair, equal, and diverse society together.

' ' .

only for .‍⬛

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Good啊！到底哪里来的以讹传讹说《Nothing gonna change my love for you》是《廊桥遗梦》的主题曲啊？根本不是！
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理智告诉我，这是婚内出轨。但架不住编剧又把它描述得非常美。
弗朗西斯卡与丈夫十几二十年一成不变的生活耗尽她的青春年华和热情，她为了丈夫舍弃爱的教书事业，为了孩子围着厨房打转转，为了家庭在小镇百无聊赖。
直到罗伯特的出现，四天的欢乐时光唤醒她内在的渴望。我必须承认，罗伯特冒着大雨走向弗朗西斯卡和绿灯下挂着她的项链等待私奔的画面令人动容。
镜头里如果再多一秒，也许她就推开车门了。可是我觉得还是不会的，流言蜚语会伤害到她的家人，追随一个以世界为单位的人也有很强烈的漂流感，种种使得那扇车门无比沉重。

在爱情樊笼里的人们啊，你们追求个性的自由还是为他人着想？
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弗朗西斯卡在那个夏夜解开衣裳迎风吹拂的画面，想到《荆棘鸟》里，女主在无人的屋子里也是脱掉衣服，一丝不挂地在房间走来走去。
也许衣服，象征着无法言说、没有期待的爱情的桎梏吧。