Lucile Boulanger, Simon Pierre, Olivier Fortin
Lucile Boulanger - The Golden Hour (24-192)
2024
Jean-Marie Leclair
01 Sonata No. 1 in D minor, Op. 4: I. Adagio
02 Sonata No. 1 in D minor, Op. 4: II. Allegro ma non tropo
03 Sonata No. 1 in D minor, Op. 4: III. Largo
04 Sonata No. 1 in D minor, Op. 4: IV. Allegro
Joseph Bodin de Boismortier
05 Sonata No. 6 in D major, Op. 50: I. Largo
06 Sonata No. 6 in D major, Op. 50: II. Allegro
07 Sonata No. 6 in D major, Op. 50: III. Larghetto
08 Sonata No. 6 in D major, Op. 50: IV. Allegro
Louis-Antoine Dornel
09 Sonata in B minor, Op. 3 No. 3: I. Prélude, Lentement
10 Sonata in B minor, Op. 3 No. 3: II. Fugue, Gai
11 Sonata in B minor, Op. 3 No. 3: III. Lentement et Doux
12 Sonata in B minor, Op. 3 No. 3: IV. Chaconne Gracieuse
Jean-Féry Rebel
13 Sonata No. 4 in E minor, Book II: I. Gracieusement
14 Sonata No. 4 in E minor, Book II: II. Viste
15 Sonata No. 4 in E minor, Book II: III. Récit - Gai
16 Sonata No. 4 in E minor, Book II: IV. Viste
François Francœur
17 Sonata No. 12 in E major, Book II: I. Adagio
18 Sonata No. 12 in E major, Book II: II. Courente
19 Sonata No. 12 in E major, Book II: III. Sicilienne
20 Sonata No. 12 in E major, Book II: IV. Rondeau
Jean-Marie Leclair
21 Sonata No. 2 in B minor, Op. 13: I. Largo
22 Sonata No. 2 in B minor, Op. 13: II. Allegro ma non tropo
23 Sonata No. 2 in B minor, Op. 13: III. Largo
24 Sonata No. 2 in B minor, Op. 13: IV. Allegro
Lucile Boulanger - The Golden Hour (24-192)
2024
Jean-Marie Leclair
01 Sonata No. 1 in D minor, Op. 4: I. Adagio
02 Sonata No. 1 in D minor, Op. 4: II. Allegro ma non tropo
03 Sonata No. 1 in D minor, Op. 4: III. Largo
04 Sonata No. 1 in D minor, Op. 4: IV. Allegro
Joseph Bodin de Boismortier
05 Sonata No. 6 in D major, Op. 50: I. Largo
06 Sonata No. 6 in D major, Op. 50: II. Allegro
07 Sonata No. 6 in D major, Op. 50: III. Larghetto
08 Sonata No. 6 in D major, Op. 50: IV. Allegro
Louis-Antoine Dornel
09 Sonata in B minor, Op. 3 No. 3: I. Prélude, Lentement
10 Sonata in B minor, Op. 3 No. 3: II. Fugue, Gai
11 Sonata in B minor, Op. 3 No. 3: III. Lentement et Doux
12 Sonata in B minor, Op. 3 No. 3: IV. Chaconne Gracieuse
Jean-Féry Rebel
13 Sonata No. 4 in E minor, Book II: I. Gracieusement
14 Sonata No. 4 in E minor, Book II: II. Viste
15 Sonata No. 4 in E minor, Book II: III. Récit - Gai
16 Sonata No. 4 in E minor, Book II: IV. Viste
François Francœur
17 Sonata No. 12 in E major, Book II: I. Adagio
18 Sonata No. 12 in E major, Book II: II. Courente
19 Sonata No. 12 in E major, Book II: III. Sicilienne
20 Sonata No. 12 in E major, Book II: IV. Rondeau
Jean-Marie Leclair
21 Sonata No. 2 in B minor, Op. 13: I. Largo
22 Sonata No. 2 in B minor, Op. 13: II. Allegro ma non tropo
23 Sonata No. 2 in B minor, Op. 13: III. Largo
24 Sonata No. 2 in B minor, Op. 13: IV. Allegro
little simz：no thank you（2022）
F：8.1/10
对jay-z的homage有点淡淡的（不知道算不算），vocal虽然听着“平”但实际上起伏在里面藏着，编曲很丰富，一些“电气”sense、一些不那么“浓”的trap、一些gospel+soul包裹着穿插进行的合成器/弦乐/flexin' 打击乐，叙事感随着trackline一点点推进（有几个地方真的觉得很适合donald glover sneak in）。更惊喜的是在有些地方有leon bridges/thundercat/M.I.A.还魂的惊喜感，way mo' fun of a perfect non-intentional blendin'。
besides，很少见哪个rapper一整张所有歌基本都在5-7分钟的，能做到几乎每一首都全长且不无聊本身也是体现flow能力的证据。maybe是自己的一种lifeline historic epic（编制宏大的细节不在少数），讨论了很多关于所处行业应该具备何种心态（like upliftin' women senses）、家族glory and peace、push and struggle still（thru childhood to adolescence/being black in UK etc）... sumn，挺有趣。
who even cares居然我是早就加到歌单里了，难怪听到beat有一种熟悉的陌生感，大概一个月前的随机FM就被推过这首专辑接近尾声的曲目（thundercat is dat u？）。
ps：最爱的四首as cuts
0220 addition：EP collection
drop7（2024）：7.0/10
cuts：SOS/far away
thoughts：感觉tinashe会爱她，拉着一起玩玩ukg很合适，不做有明确意义和整体性的rap drop EP的效果就是浅浅实验，无功无过。
drop6（2020）：7.5/10
cuts：damn right/where's my lighter
thoughts：seems like some ARULAR&MAYA impact，比drop7更essence on da real一些，need som channel tres on da track。
drop4（2015）：7.2/10
cuts：is this freedom/sit tight/guess who
thoughts：比pro rnb艺人更大胆且有张力的驾驭旋律的能力，although she a rapper，会imagine跟bryson tiller的合作会是什么样子。guess who里面是带着eminem在kamikaze里面的energy玩失真音色和诡异和弦，cool of dat。
drop3（2014）：6.3/10
cuts：no introduction/closer
thoughts：略boring。
drop1+2（2014）：6.4/10
cuts：starry eyed/homosapiens vs aliens/sleep paralysis
thoughts：azealia banks？。。。
F：8.1/10
对jay-z的homage有点淡淡的（不知道算不算），vocal虽然听着“平”但实际上起伏在里面藏着，编曲很丰富，一些“电气”sense、一些不那么“浓”的trap、一些gospel+soul包裹着穿插进行的合成器/弦乐/flexin' 打击乐，叙事感随着trackline一点点推进（有几个地方真的觉得很适合donald glover sneak in）。更惊喜的是在有些地方有leon bridges/thundercat/M.I.A.还魂的惊喜感，way mo' fun of a perfect non-intentional blendin'。
besides，很少见哪个rapper一整张所有歌基本都在5-7分钟的，能做到几乎每一首都全长且不无聊本身也是体现flow能力的证据。maybe是自己的一种lifeline historic epic（编制宏大的细节不在少数），讨论了很多关于所处行业应该具备何种心态（like upliftin' women senses）、家族glory and peace、push and struggle still（thru childhood to adolescence/being black in UK etc）... sumn，挺有趣。
who even cares居然我是早就加到歌单里了，难怪听到beat有一种熟悉的陌生感，大概一个月前的随机FM就被推过这首专辑接近尾声的曲目（thundercat is dat u？）。
ps：最爱的四首as cuts
0220 addition：EP collection
drop7（2024）：7.0/10
cuts：SOS/far away
thoughts：感觉tinashe会爱她，拉着一起玩玩ukg很合适，不做有明确意义和整体性的rap drop EP的效果就是浅浅实验，无功无过。
drop6（2020）：7.5/10
cuts：damn right/where's my lighter
thoughts：seems like some ARULAR&MAYA impact，比drop7更essence on da real一些，need som channel tres on da track。
drop4（2015）：7.2/10
cuts：is this freedom/sit tight/guess who
thoughts：比pro rnb艺人更大胆且有张力的驾驭旋律的能力，although she a rapper，会imagine跟bryson tiller的合作会是什么样子。guess who里面是带着eminem在kamikaze里面的energy玩失真音色和诡异和弦，cool of dat。
drop3（2014）：6.3/10
cuts：no introduction/closer
thoughts：略boring。
drop1+2（2014）：6.4/10
cuts：starry eyed/homosapiens vs aliens/sleep paralysis
thoughts：azealia banks？。。。
上周四开始左手腕痛的使不上一点儿劲，自测手腕腱鞘炎。冥思苦想都搞不明白怎么会是non-dominant hand得鼠标手。今儿忍痛来公司，阵阵剧痛，终于反应过来为什么是左手了！总结：和我share办公桌的阿姨想谋害我[微笑]为了垫高显示器搞来的打印纸占了整张桌子的2/3，害我键盘放不远，好死不死我常用key是F10和F10[苦涩]这个破班真的没法上了[苦涩]
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