宋代诗人晁端礼，晁端礼（1046～1113）北宋词人。名一作元礼。字次膺。开德府清丰县（今属河南）人，因其父葬于济州任城（今山东济宁），遂为任城人。徽宗政和三年(1113),由于蔡京举荐,应诏来到京城。适逢宫禁中莲荷初生，他进《并蒂芙蓉》词，大得徽宗称赏。于是以承事郎为大晟府协律。黄称他与万俟雅言（咏）齐名，按月律进词（《唐宋诸贤绝妙词选》卷七）。未及供职即病逝。浣溪沙·清润风光雨后天 - 宋代·... https://t.cn/A6M5A73J

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战国· 蛇座凤鸟鼓架（局部二）https://t.cn/A6MqMiHE

Cranes and Serpents
蛇座凤鸟鼓架
475–221 BC
China, reportedly from Hunan province, Changsha, Warring States period (475-221 BC), State of Chu
(c. 1046-223 BC)
Lacquered wood with polychromy
Overall: 132.1 x 124.5 cm (52 x 49 in.)
Purchase from the J. H. Wade Fund 1938.9

The drum stand was discovered in the mid-1930s near Changsha, Hunan province, by crews digging a route for railroad tracks.

A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements.

This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb.

The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.

Collection: China - Zhou Dynasty
Department: Chinese Art
Type of artwork: Sculpture
Medium: Lacquered wood with polychromy
Credit line: Purchase from the J. H. Wade Fund