#影像上海艺术博览会# #影像语录#

铃木理策（Risaku Suzuki​​）
b.1963

“人们通常期望摄影师解释自己拍摄的场景或在主题中发现的意义，但于我而言，摄影是对我所遇到的世界的一种回应，我的目标是让观者重新记住我捕捉到的场景。”
“Photographers are generally expected to show how they interpreted the scene or what meaning they found in the subject, but for me, photography is a response to the world I encountered, and my aim is for the captured scene to be remembered anew by the viewer.”

关于艺术家：
铃木理策，1963年出生于日本和歌山县熊野市，目前在东京生活和工作。铃木的家乡是日本自古以来的圣灵之地，那里广袤而无暇的风光给了他无限的灵感，由此产生的创作构成了他的第一本摄影集《KUMANO》​​（1998）。

作为日本最著名的当代摄影师之一，铃木以一种永恒而又令人耳目一新的方式呈现典型的日本主题，如雪原和樱花。近年来他的拍摄题材趋向多元，但始终借助相机不带目的机械感知，来探讨“观看”行为的意义。正如他所言，“我作品的主题是表现相机镜头的纯粹性。”铃木拍摄的一景一物中包含了他按下快门前的自我意识，以及人们在观看时脑海里浮现的各种记忆，两者相融形成一种别致的感官体验。

© 铃木理策 （Risaku Suzuki​​​​），《SAKURA 16, 4-22》，2016。图片致谢 | 艺术家，Christophe Guye Galerie（苏黎世）

这件作品在拍摄手法上延续了铃木一贯采用的前景大面积虚化的特征，盛放的花朵与落花汇成的花海在虚实间交错。樱花是铃木创作履历中的重要主题，在赏心悦目的照片之外，铃木所拍摄的樱花图景更是天空与花朵、正负空间、线条与形式之间的游戏，反映出他对自然及每一霎时的珍贵沉思。

Christophe Guye Galerie（苏黎世）曾携这件作品参展第六届影像上海艺术博览会。

Is it possible to maintain your youthful body by continuing to be a member of the organization and transforming and upgrading the body system? Do you have the same face as me? Is there an end to the road of repeated operation? It is not the result of self-cultivation. It is achieved by continuous borrowing and practice, and then repaired after being backfired. What will the final result be?

阳泉市城区内部修法组织成员，持续为组织成员，转化提升肉身系统，可以保持你那身皮肉青春永驻吗？和我有同一张脸吗？走上一条不断重复操作的路，有尽头吗？不是自己修行达到得结果，靠持续借体，修法操作实现，被反噬后再修复，最终结果会怎么样呢？Is it possible to maintain your youthful body by continuing to be a member of the organization and transforming and upgrading the body system? Do you have the same face as me? Is there an end to the road of repeated operation? It is not the result of self-cultivation. It is achieved by continuous borrowing and practice, and then repaired after being backfired. What will the final result be?