#林允儿提名春史影后# y #林允儿韩剧HUSH# 【愚人节饭拍】
181128&191014 林允儿 AAA颁奖典礼红毯&EXIT公开talk 饭拍实图6P cr:kong__S2&moyanuna0813&FOREVER_RVL
[好喜欢][好喜欢][好喜欢]这几张图必须收下对不对 今天真幸福[好爱哦]@LIMYOONA90
新剧jz:https://t.cn/A6ZhH28P
生日jz: https://t.cn/A6hIamOM
允比比: https://t.cn/A6znrvgj
181128&191014 林允儿 AAA颁奖典礼红毯&EXIT公开talk 饭拍实图6P cr:kong__S2&moyanuna0813&FOREVER_RVL
[好喜欢][好喜欢][好喜欢]这几张图必须收下对不对 今天真幸福[好爱哦]@LIMYOONA90
新剧jz:https://t.cn/A6ZhH28P
生日jz: https://t.cn/A6hIamOM
允比比: https://t.cn/A6znrvgj
#林允儿提名春史影后# y #林允儿韩剧HUSH# 200401 林允儿 电影EXIT DVD相关图片1P cr:yes24
前方请注意!不是愚人节玩笑!是它真的来了!
电影EXITDVD发行日2020年4月23日
初回限定:赠送外包装盒 + 曹政奭&林允儿明信片4款
disc:光盘1张
放映时长:103分钟
影像: 2.35:1变形宽屏
音频:韩语 杜比数字 5.1
字幕:韩语 英语
精选菜单: 解说评论by李尚根导演,曹政奭,林允儿*删除镜头(人声解说On/Off)*制作记实*灾难套装*真实心酸角色视频*预告片*主打预告片
[资源:毒毒 翻译:奶瓶&YOONAYAcom]
钱包准备好了吗[偷乐]买它!@LIMYOONA90
新剧jz:https://t.cn/A6ZhH28P
生日jz: https://t.cn/A6hIamOM
允比比: https://t.cn/A6znrvgj
前方请注意!不是愚人节玩笑!是它真的来了!
电影EXITDVD发行日2020年4月23日
初回限定:赠送外包装盒 + 曹政奭&林允儿明信片4款
disc:光盘1张
放映时长:103分钟
影像: 2.35:1变形宽屏
音频:韩语 杜比数字 5.1
字幕:韩语 英语
精选菜单: 解说评论by李尚根导演,曹政奭,林允儿*删除镜头(人声解说On/Off)*制作记实*灾难套装*真实心酸角色视频*预告片*主打预告片
[资源:毒毒 翻译:奶瓶&YOONAYAcom]
钱包准备好了吗[偷乐]买它!@LIMYOONA90
新剧jz:https://t.cn/A6ZhH28P
生日jz: https://t.cn/A6hIamOM
允比比: https://t.cn/A6znrvgj
'I SAW A CROW, ORCA WAS I' by Alison Yip at Monte Clark Gallery, Vancouver
rogue wave,
wide as night
peels back fear's attraction.
study finds:
professors of reflexology
unblinking on the weekends.
mounting certain
red-letter exit,
heads and tails
pinned by
dyslexic laser pointer
shrugs
bias-cut apologies
to follow
at the heckler's ball.
the dress code is
‘drag and drop’.
sensation,
the grit of
that rising pitch!
we stage the
morphologies of leaving
by skittering across
the tops
of fermented fruit
patient assemblies
taxi, shaping
the shoreline jagged.
stray centers
are the tourist's
lament.
in the house of pining,
the invention of
the return gaze
yields magnum eros,
eros set wide
on trestles,
wrestling for keep
in the multiplex
AJY
rogue wave,
wide as night
peels back fear's attraction.
study finds:
professors of reflexology
unblinking on the weekends.
mounting certain
red-letter exit,
heads and tails
pinned by
dyslexic laser pointer
shrugs
bias-cut apologies
to follow
at the heckler's ball.
the dress code is
‘drag and drop’.
sensation,
the grit of
that rising pitch!
we stage the
morphologies of leaving
by skittering across
the tops
of fermented fruit
patient assemblies
taxi, shaping
the shoreline jagged.
stray centers
are the tourist's
lament.
in the house of pining,
the invention of
the return gaze
yields magnum eros,
eros set wide
on trestles,
wrestling for keep
in the multiplex
AJY
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